Party of Doom – Fear, Anxiety, Panic and Carnival

碩士 === 國立臺灣藝術大學 === 美術學系 === 105 ===  In this study, the author analyzed how social development experience and the cultural background in his childhood influenced his creative concept. In addition, the author also consider many film, animation impact his art work, his growth and self-reflection. Thi...

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Bibliographic Details
Main Authors: LAI,WEI-YU, 賴威宇
Other Authors: YEN,YI-CHENG
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/kx2p96
Description
Summary:碩士 === 國立臺灣藝術大學 === 美術學系 === 105 ===  In this study, the author analyzed how social development experience and the cultural background in his childhood influenced his creative concept. In addition, the author also consider many film, animation impact his art work, his growth and self-reflection. This study is separated to three chapters. In first chapter, the author described his childhood experience as a story and how he learned the function and sociality of illustration, the author also analyzed the origin of his urge and desire to break things and fight the authority. The second chapter was based on Irvin D. Yalom and Rollo May, which will be aimed at (1) disintegration of authority, (2) antisocialism and destruction, (3) ) fear, anxiety, panic and party, to discuss how human anxieties of further anxiety into fear, develop into collective behavior, and explore the source of fear and anxiety, and discuss how mankind develops a way to deal with nothingness mechanism. Finally, Chapter 3 will echo the creative foundation of the second chapter and the author's creative process, and draw the meaning and the meaning and derivative of the author's work will be derived. The author of the growth and learning the process of art to reflect and conclusions.