| Summary: | 碩士 === 國立臺灣藝術大學 === 書畫系造形藝術碩士班 === 105 === This paper engages its research object to Pey-Chwen Lin’s work series “Antithesis and Intertext” to probes into the dialectics and intertext of works in female consciousness of subjectivity. The “Antithesis and Intertext” series one of is the most important works in Lin’s period of so called “deconstruct of Patriarchy” which was first exhibited at Taipei Fine Arts Museum in 1995. Although this series that belonging to the early period is very significant in her transformation of creation, which has postmodern features as well as multi-textual expression of “Inter-texts” and “dialectics”, along with a distinct subject of female consciousness that also influences her later period works style. This study has certain aspects as following: firstly, to explores Pey-Chwen Lin's life with her artistic cultivate background at the creation narration, through an interview in-depth with the artist; to understand the evolution and concepts of her creation career in concerning about certain issues and interrelationship with relevant course of her life expansion; moreover, to compare her with Mary Kelly conceptual work of “Post Partum Document”, in addition, to try to explore Pey-Chwen Lin's inspiration for creation from those ideas, also to survey the evolution of style development.
Since the custom of women’s “foot-binding” in the oriental tradition is an important symbol in shaping of Lin’s “Antithesis and Intertext” from which the issue was orientated itself into her conception, so I have to explore the creative motives in the exhibition to depict its derivation of sign foot-binding, and with this genealogy we can review their form and content in a post-modern aspect. Furthermore, based on the analytic theory of semiotics and hermeneutics, this paper takes on surveying the multiple textual and dialectics in Lin’s work as well as elucidating the invisibility and implication within the text-interpretation in hermeneutic perspectives.
And finally, in the bodily performance of “female Consciousness of subjectivity” and “anti-mythic” into de-embodiment, this paper is required to respond to the social reality and it critique through mutual dialectics. In addition to reflection of the female arts and relevant arts criticism, and following the trace of western feminist art and the development of Taiwan female arts, as well as reviewing of arts evaluation on “Antithesis and Intertext” namely in a historical point of view, we do examine how the influential and development of female consciousness of subjectivity was formed in Pey-Chwen Lin’s works. The conclusion, showing in the internalizing process of explicit awareness of female consciousness, we can see a boundless enthusiasm and dedication to art in Pey-Chwen Lin devoting to the inheritance of art education, her increasing to establish more influence and consequence endowment in Taiwan art, then to end with this paper we try to give some suggestions with future study to a whole review of her outstanding works.
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