The statement of nothingness_ The situational schema of removed anaesthetics

碩士 === 國立交通大學 === 建築研究所 === 106 === The thesis discusses on the understanding of real and reality from architecture , the researcher perceived that image was a kind of manipulation of consciousness. Therefore , the paper is going to discuss the phenomenon of the images of architecture and their orig...

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Bibliographic Details
Main Authors: Li, Cheng-Chieh, 李政節
Other Authors: Ho, Jen-Hwang
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/j75q7d
Description
Summary:碩士 === 國立交通大學 === 建築研究所 === 106 === The thesis discusses on the understanding of real and reality from architecture , the researcher perceived that image was a kind of manipulation of consciousness. Therefore , the paper is going to discuss the phenomenon of the images of architecture and their original meaning , understand the description under,and furthermore , break through the frame of images that people are infatuated with , so as to achieve the ultimate goal that the buildings can become real. From the very beginning, the researcher finds that from “intoxication of form” and the question , “how can a building be understood by people” , the researcher came to realize that in the contemporary society that was full of temptations of situational images and intoxicating hallucination in virtual state, performance overrides meaning. If a building lacks its position , the building will be deeply trapped in the transient experience in manufacturing of site. Besides, architecture is an existence of entities. In the process from nothing to something , buildings have to detach from themselves , and approach the boundary. Through this way, an exploration of the “starting point” can be established as a core of thinking. Going through a series of indices of site phenomena to consider the meaning of site , is also a process of the researcher’s recording of his thinking about architecture. Only when the real nature of a building is understood can a person starts the realistic operation of realness. Meanwhile , it reflects the spirit of the designer. Through the blankness left on the image, the final real nature and form of a building will be presented as a wholeness in a pure state, helping the viewer to go back to the initial state of “emptiness”. From feeling of the wholeness, a connection with the viewers’ consciousness can be established , helping them leave the anesthesiological situational schema. Finally, the researcher thinks that introspection has to be made for buildings, and resistance should be made against these useless sites of desire. The researcher believe that we should abandon those aimless and transient experiences of machine manufacturing , and should pay attention to the continuity of life at this moment , and achieve “Oneness” in the aspects of thinking, perception, belief and goal. The researcher thinks that only at an empty state , such a “blankness left” , at the very beginning can realness and reality be placed on the track of oneness for operation in our daily life.