American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century

碩士 === 國立中央大學 === 藝術學研究所 === 106 === The main idea of this thesis is that “Chinese” portrait style photos created by American photographer Milton Miller in the 1860s, the special feature of this group of photos was to point out the photography in the nineteenth century China's spread, adaptatio...

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Bibliographic Details
Main Authors:	Chung-I Chu, 朱宗乙
Other Authors:	周芳美
Format:	Others
Language:	zh-TW
Published:	2017
Online Access:	http://ndltd.ncl.edu.tw/handle/66ngeq

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spelling	ndltd-TW-106NCU055460012019-05-16T00:15:46Z http://ndltd.ncl.edu.tw/handle/66ngeq American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century 十九世紀美國攝影師彌爾頓 ‧ 米勒的「中國式」風格及中國攝影師的回應 Chung-I Chu 朱宗乙碩士國立中央大學藝術學研究所 106 The main idea of this thesis is that “Chinese” portrait style photos created by American photographer Milton Miller in the 1860s, the special feature of this group of photos was to point out the photography in the nineteenth century China's spread, adaptation and adjustment process, as well as penetrated some of Chinese cultural, technical and business-oriented. From the works, in addition to look at the Western photographers how to be influenced by the Chinese art tradition; similarly, this essay has shown that as the craft of photography in China became well honed, the conventions of Chinese painting were as likely to be embraced as avoided. In the competition with the Western photographers, Chinese photographers how to use their own way to understand and use these Western technology, is also to deal with. 周芳美 2017 學位論文 ; thesis 126 zh-TW
collection	NDLTD
language	zh-TW
format	Others
sources	NDLTD
description	碩士 === 國立中央大學 === 藝術學研究所 === 106 === The main idea of this thesis is that “Chinese” portrait style photos created by American photographer Milton Miller in the 1860s, the special feature of this group of photos was to point out the photography in the nineteenth century China's spread, adaptation and adjustment process, as well as penetrated some of Chinese cultural, technical and business-oriented. From the works, in addition to look at the Western photographers how to be influenced by the Chinese art tradition; similarly, this essay has shown that as the craft of photography in China became well honed, the conventions of Chinese painting were as likely to be embraced as avoided. In the competition with the Western photographers, Chinese photographers how to use their own way to understand and use these Western technology, is also to deal with.
author2	周芳美
author_facet	周芳美 Chung-I Chu 朱宗乙
author	Chung-I Chu 朱宗乙
spellingShingle	Chung-I Chu 朱宗乙 American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
author_sort	Chung-I Chu
title	American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
title_short	American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
title_full	American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
title_fullStr	American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
title_full_unstemmed	American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century
title_sort	american photographer milton miller's “chinese” portrait style and chinese photographer's response in the nineteenth-century
publishDate	2017
url	http://ndltd.ncl.edu.tw/handle/66ngeq
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American Photographer Milton Miller's “Chinese” Portrait Style and Chinese Photographer's Response in the Nineteenth-Century

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