Causerie Intime

碩士 === 國立高雄師範大學 === 跨領域藝術研究所 === 106 === As an inspiration for the research, Causerie Intime represents a brief correspondence between human beings and Artificial Intelligence devices. As a symbol, the internet has become a stage for individual’s creative activities in the age of globalization. Alth...

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Main Authors: SHIH, YU-HEN, 施宇恆
Other Authors: TSAI, PEI-KUEI
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/33zdr5
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spelling ndltd-TW-106NKNU02330352019-05-16T00:44:55Z http://ndltd.ncl.edu.tw/handle/33zdr5 Causerie Intime 親密交談 SHIH, YU-HEN 施宇恆 碩士 國立高雄師範大學 跨領域藝術研究所 106 As an inspiration for the research, Causerie Intime represents a brief correspondence between human beings and Artificial Intelligence devices. As a symbol, the internet has become a stage for individual’s creative activities in the age of globalization. Although it saves people plenty of time and brings in convenience, it also causes the author to enter into anxiety, especially while facing acquaintances and machines. This forces her to intiate an endless circle of automatic writing. Therefore, taking the author as a sample, she applied the four symbol discourse of awakening the main character's la mémoire involontaire towards artworks, which Gilles Deleuze (1925-1995) analyzes À la Recherche du Temps Perdu(1913 -1927) created by Marcel Proust (1871-1922) in an interdisciplinary way. Targeting along with poetic dialogue among six characters within novel The Waves (1931) written by Virginia Woolf (1882-1941), double dialogue novel Le Square (1958) composed by Marguerite Duras (1914-1996), Entrance To Subway {Subway Station/Subway Scene} (1938), Portrait of Rothko's Mother (1928-1931), No.10 (1950) painted by Mark Rothko (1903-1970) and the author's works. At the first stage of research, the author aimed to clarify the sourses of anxiety through analyzing preceding works as well as her images and paintings in comparative reading. However, throughout the process, she discovered herself falling into the state of mystic automatic writing and gradually is lost in the hypertext information age. At the second stage of research, the author thus terminated her self-analysing rational thinking via participatory exhibition. Through the “cut and paste” activity and having conversations with others, she was able to interact with others and revitalize the sensations which helped her achieve a balance and lead her to the integration between mind and body. Eventually, she discovered that automatic writing is a way to clarify the formation of anxiety. Through the automatic writing, it helps people stop worries, reach a state of peace between mind and body, and transform anxiety into a drive to adapt the modern life. TSAI, PEI-KUEI 蔡佩桂 2018 學位論文 ; thesis 232 zh-TW
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description 碩士 === 國立高雄師範大學 === 跨領域藝術研究所 === 106 === As an inspiration for the research, Causerie Intime represents a brief correspondence between human beings and Artificial Intelligence devices. As a symbol, the internet has become a stage for individual’s creative activities in the age of globalization. Although it saves people plenty of time and brings in convenience, it also causes the author to enter into anxiety, especially while facing acquaintances and machines. This forces her to intiate an endless circle of automatic writing. Therefore, taking the author as a sample, she applied the four symbol discourse of awakening the main character's la mémoire involontaire towards artworks, which Gilles Deleuze (1925-1995) analyzes À la Recherche du Temps Perdu(1913 -1927) created by Marcel Proust (1871-1922) in an interdisciplinary way. Targeting along with poetic dialogue among six characters within novel The Waves (1931) written by Virginia Woolf (1882-1941), double dialogue novel Le Square (1958) composed by Marguerite Duras (1914-1996), Entrance To Subway {Subway Station/Subway Scene} (1938), Portrait of Rothko's Mother (1928-1931), No.10 (1950) painted by Mark Rothko (1903-1970) and the author's works. At the first stage of research, the author aimed to clarify the sourses of anxiety through analyzing preceding works as well as her images and paintings in comparative reading. However, throughout the process, she discovered herself falling into the state of mystic automatic writing and gradually is lost in the hypertext information age. At the second stage of research, the author thus terminated her self-analysing rational thinking via participatory exhibition. Through the “cut and paste” activity and having conversations with others, she was able to interact with others and revitalize the sensations which helped her achieve a balance and lead her to the integration between mind and body. Eventually, she discovered that automatic writing is a way to clarify the formation of anxiety. Through the automatic writing, it helps people stop worries, reach a state of peace between mind and body, and transform anxiety into a drive to adapt the modern life.
author2 TSAI, PEI-KUEI
author_facet TSAI, PEI-KUEI
SHIH, YU-HEN
施宇恆
author SHIH, YU-HEN
施宇恆
spellingShingle SHIH, YU-HEN
施宇恆
Causerie Intime
author_sort SHIH, YU-HEN
title Causerie Intime
title_short Causerie Intime
title_full Causerie Intime
title_fullStr Causerie Intime
title_full_unstemmed Causerie Intime
title_sort causerie intime
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/33zdr5
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