| Summary: | 碩士 === 國立屏東大學 === 視覺藝術學系碩士班 === 106 === This creation dissertation deals with the writer’s perception and reflection on the busy life. By way of observing the floral ecology, he goes back to the egoistic concern. He also starts from the philosophic perspective to explore the essence of things. The methodology of the literature creation inspires the creation of arts. As well, this study applies psychology to memorize the images for being kept in mind. When the creation is under way, they can be accessed anytime to be used as the materials of the mental images. Moreover, the esthetic experience can be accessed in order to create the works from the mental images. The meaning of the mental images can be thus taken as the basic elements of creation via the foregoing full-ranged exploration and the quality of personal life can be upgraded in such a way.
As such, this study is designed to explore the flowers of botany as well as the unique style of artists with a view of providing a definite direction for the collective buildup, context and creation course via such approaches as the literature, style and image analyses. Besides, it also reviews the features of the acrylic paint and the curve art modeling, and interprets the postures of flowers for showing their look. In the face of the original floral artwork, the new inspirations are triggered to convey the writer’s self understanding and change, which he transfers to be the momentum of creation for further giving rise to the creation of four series of mental images, i.e. firstly the dream series, secondly the color series, thirdly the songs series and fourthly the blessing series.
Lastly, the mental images of flowers are undertaken by observing the flowers, creating the images, ideas and imagination in mind and further transforming them into creation. In addition to realizing the wonders of the creature in the cosmos, they even experience the community of life of coexistence and common prosperity between human and nature.
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