A study of poetry and painting in Tang Dynasty

• Main Authors: Hung-Yu Tai, 戴泓育
• Other Authors: Chen-nien Ts''ai
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/awwcm7

碩士 === 國立中山大學 === 中國文學系研究所 === 106 === Chinese poetries are excellent in both emotion and literary compositions. They flowed as time went on, inherited from different dynasties and generations, therefore have chanted emotional pieces articles. Chinese paintings have ethereal artistic conceptions. They flowed as space went on, inherited from different dynasties and generations, and rendered a variety of landscapes. This thesis is divided into five chapters, the structure is: First chapter-introduction. Second chapter-the aesthetics of landscape poetry-painting. Third chapter-the theory of landscape painting in the Six Dynasties. Fourth chapter is poetry and painting in the Tang Dynasty. Fifth chapter is conclusion. The details are as follows: The first chapter is Introduction：which instructs the research motivation, research review, research scope and methods so on. The second chapter is the aesthetics of landscape poetry-painting：The landscape aesthetics are based on Taoism. By analyzing Zhuangzi’s experience during the path of cultivation, the experience state of "Xin Zhai", "Zuo Wang", and subjective spiritual cultivation of "personality cultivation" and " mind concentration ", Zhuangzi’s artistic spirit could be revealed among the "forget" and "roam". To explore the homology of poetry and painting, the artistic conception of landscape poetry and landscape painting will be consistent with aesthetics. The third chapter is the theory of landscape painting in the Six Dynasties：which explored the aesthetics of landscape painting in the Six Dynasties based on the perspectives of Gu Yuzhi''s "論畫", "魏晉勝流畫讚", "畫雲臺山記", Zong Bing’s "畫山水序", Wang Wei’s"敘畫"and other landscape painting theories. The fourth chapter is poetry and painting in the Tang Dynasty：which explored the aesthetics of painting in ”歷代名畫記” and Wang Wei''s landscape poetries. The book "歷代名畫記" has profound and lasting influences on the theory of descendant landscape painting from the aspects of history, practice, theory, preservation and appreciation. Besides, the fourth chapter analyze the ethereal artistic conception, and the artistic realm of poetry and painting in Wang Wei''s landscape poetry. The fifth chapter is Conclusion：which summarizes the research results of this thesis.