The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.

碩士 === 國立中山大學 === 音樂學系研究所 === 106 === People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with i...

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Main Authors: Chia-Yin Chuang, 莊佳音
Other Authors: Kwang-I Ying
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/57mptm
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spelling ndltd-TW-106NSYS52480012019-05-16T00:23:00Z http://ndltd.ncl.edu.tw/handle/57mptm The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. 形‧塑─以《愛之喚》、《落葉的愛》及《鳴人》為例 Chia-Yin Chuang 莊佳音 碩士 國立中山大學 音樂學系研究所 106 People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with ingenuity and skills through the creator’s imagination. As anabstract art, music often requires transformation from the aspects of spiritual tomaterial in the creative process. ‘Image’ has the meaning of creating image, refers to art work that expresses the images or characters of creator’s thoughts and emotions, which meaning to spiritual aspect of creating music. ‘Model’ has the meaning of creating model, refers to art works that use the concrete materials to express the images of characters, which meaning to the material aspect of creating music. This thesis from the viewpoint of ‘Image and Model’, to analyze the works of Calling of Love, Love of the Fallen Leaves and Ming-Ren in related to the creative process of the motives, sections and techniques of music. Kwang-I Ying 應廣儀 2017 學位論文 ; thesis 105 zh-TW
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language zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 106 === People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with ingenuity and skills through the creator’s imagination. As anabstract art, music often requires transformation from the aspects of spiritual tomaterial in the creative process. ‘Image’ has the meaning of creating image, refers to art work that expresses the images or characters of creator’s thoughts and emotions, which meaning to spiritual aspect of creating music. ‘Model’ has the meaning of creating model, refers to art works that use the concrete materials to express the images of characters, which meaning to the material aspect of creating music. This thesis from the viewpoint of ‘Image and Model’, to analyze the works of Calling of Love, Love of the Fallen Leaves and Ming-Ren in related to the creative process of the motives, sections and techniques of music.
author2 Kwang-I Ying
author_facet Kwang-I Ying
Chia-Yin Chuang
莊佳音
author Chia-Yin Chuang
莊佳音
spellingShingle Chia-Yin Chuang
莊佳音
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
author_sort Chia-Yin Chuang
title The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
title_short The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
title_full The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
title_fullStr The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
title_full_unstemmed The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
title_sort image and model in compositions calling of love, love of the fallen leaves, and ming-ren.
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/57mptm
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