The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren.
碩士 === 國立中山大學 === 音樂學系研究所 === 106 === People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with i...
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ndltd-TW-106NSYS52480012019-05-16T00:23:00Z http://ndltd.ncl.edu.tw/handle/57mptm The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. 形‧塑─以《愛之喚》、《落葉的愛》及《鳴人》為例 Chia-Yin Chuang 莊佳音 碩士 國立中山大學 音樂學系研究所 106 People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with ingenuity and skills through the creator’s imagination. As anabstract art, music often requires transformation from the aspects of spiritual tomaterial in the creative process. ‘Image’ has the meaning of creating image, refers to art work that expresses the images or characters of creator’s thoughts and emotions, which meaning to spiritual aspect of creating music. ‘Model’ has the meaning of creating model, refers to art works that use the concrete materials to express the images of characters, which meaning to the material aspect of creating music. This thesis from the viewpoint of ‘Image and Model’, to analyze the works of Calling of Love, Love of the Fallen Leaves and Ming-Ren in related to the creative process of the motives, sections and techniques of music. Kwang-I Ying 應廣儀 2017 學位論文 ; thesis 105 zh-TW |
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碩士 === 國立中山大學 === 音樂學系研究所 === 106 === People’s inside world is usually exposed through his or her composition. Without the nourishment and edification from life, many great works of arts are difficult to be accomplished. To transfer inspiration into a specific form, each work must be combined with ingenuity and skills through the creator’s imagination. As anabstract art, music often requires transformation from the aspects of spiritual tomaterial in the creative process.
‘Image’ has the meaning of creating image, refers to art work that expresses the images or characters of creator’s thoughts and emotions, which meaning to spiritual aspect of creating music. ‘Model’ has the meaning of creating model, refers to art works that use the concrete materials to express the images of characters, which meaning to the material aspect of creating music. This thesis from the viewpoint of ‘Image and Model’, to analyze the works of Calling of Love, Love of the Fallen Leaves and Ming-Ren in related to the creative process of the motives, sections and techniques of music.
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author2 |
Kwang-I Ying |
author_facet |
Kwang-I Ying Chia-Yin Chuang 莊佳音 |
author |
Chia-Yin Chuang 莊佳音 |
spellingShingle |
Chia-Yin Chuang 莊佳音 The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
author_sort |
Chia-Yin Chuang |
title |
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
title_short |
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
title_full |
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
title_fullStr |
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
title_full_unstemmed |
The Image and Model in Compositions Calling of Love, Love of the Fallen Leaves, and Ming-Ren. |
title_sort |
image and model in compositions calling of love, love of the fallen leaves, and ming-ren. |
publishDate |
2017 |
url |
http://ndltd.ncl.edu.tw/handle/57mptm |
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