| Summary: | 碩士 === 國立清華大學 === 中國文學系所 === 106 === Han Yu’s Mao ying zhuan (毛穎傳) created a new writing style by personifying things and transforming historical writing as means of mocking. Scholars who study Jia zhuan (假傳) used to focus their attention either on the birth of Jia zhuan in Tang dynasty, or on the prosperity of it in Ming dynasty. This dissertation claims that Song dynasty plays an important role in establishing the academic tradition of Jia zhuan, and therefore worth a closer examination. The purpose of this study is to concentrate on the differences of Jia zhuan in Song dynasty and to figure out the reasons that might have caused the differences. First, it analyzed the standard structure of Jia zhuan in Tang dynasty. Second, it looked into the influences of the six fake texts in Su Shi’s name by analyzing the changes in themes, contents and structures. Finally, this study used the images of female biographers and the writing style of political implication as examples to explore the deep meaning in several works. The result of this study confirms that structure analysis, culture investigation and intertextual interpretation are possible new ways to understanding Jia zhuan in Song dynasty.
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