Time and Space Fantasy — Chen,Shu-Chen Discussion on Creative Research

• Main Authors: CHEN, SHU-CHEN, 陳淑貞
• Other Authors: HUNG, MING-CHUEH
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/r7q777

碩士 === 國立臺南大學 === 視覺藝術與設計學系碩士在職專班 === 106 === I had some understanding regarding to the natural law as mentioned in the thinking via “real-time” viewing mode and presented my inner thoughts via external way of creation during the trip. The inner emotion was explored through metaphysical thinking in the time and space where I exist. Differentiated time and space is also presented by creating natural organic forms of “walls,” “trees,” “clouds,” and “birds,” incorporated with the knowledge of time and space known to natural sciences, thereby connecting science and art to the creation. Among chapters of this essay, Chapter I, Introduction, depicts on the nature exploration via Jewski's Image Science and observation of nature, as well as consideration of the relation between human beings and nature, in addition to the literatures. Chapter II explored the natural philosophy and scientific thinking behind relativity via contemporary time and space, further exploring the surrealism of subconscious emotion in fantasy. Chapter III depicts on the process of creation and connects it to the basic drawing via theoretic base with the creative thinking of Surrealist artist Magritte creative concept analysis, thereby infusing to personal creation. In Chapter IV, I intended to express the topic of time and space with “contemporary” memory based on natural thinking and observatory law of nature during journeys, thereby infusing them into the creation combining the thoughts of natural thinking, as well as conception of time and space, reflecting on self-existed time and space and understanding on the life. Chapter V concluded the topic of creation via ego meditation, wherein it is divided into 3 phases: Phase I, Creation of “Viewing”, which is based on the viewed time and space in the past; Phase II, Creation of “real window”, which is based on the life experience against Natural metaphysical thinking. Phase III, Creation of “Spatial and temporal variation”, which is an expression by caring for environmental topic in the creation of future style. I look forward to more improved creation in the future, where I intend to infuse fields including but not limited to science, nature and humanities into the painting more accurately, making contemporary topics of time and space fantasy as well as the moment extend to my creation in the future.