The Presentation of Yasujiro Ozu's Shot:Late Spring and Tokyo Story

• Main Authors: Chiu, Li-He, 邱立荷
• Other Authors: Chen, Rui-Wen
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/99t6j7

碩士 === 國立臺灣師範大學 === 美術學系 === 106 === The thesis is to explore Ozu’s unique shot, cited Deleuze’s Cinema 2: The Time-Image with literature analysis. Study the modern cinema how to express, and the film of Late Spring and Tokyo Story to generalize the difference between the classical and modern cinema. The unique of Ozu’s movie could be seen from “the shot of trivial things”. First, its shot always stays a long time on the thing without any movement or display too much ordinary conversation which wouldn’t help the plot to develop. Second, Ozu always omits “the critical moment” that has important meaning to Hollywood.Therefore, from this two points, we can make a conclusion that Ozu’s movie is not being for the tension of the plot, he just to display the essence of shot.