| Summary: | 碩士 === 國立臺灣大學 === 藝術史研究所 === 106 === Emperor Qianlong can be said to be an emperor who has been the most dedicated to the development of art culture in China. The depth and breadth of art production he sponsored still provide an endless research theme and inspiration for future generations of scholars.
This thesis is to see the Emperor Qianlong''s management and creative thinking about contemporary craftsmanship through Revolving vase that one of the representatives of the "new style" of the Qianlong dynasty Ching-te-chen kiln’s ceramics. The Revolving vase represents a craftsmanship with ingenious craftsmanship and implies a miniature world concept. The visual experience of viewing is different from other handicrafts. When watching, the viewer seems to be in another parallel space. However, in the past research, he often pays more attention to the technical discussion, lacking the performance of visual features and special visual experience. This is worth doing more in-depth research.
In the process of sorting out the archives of the Qing dynasty, the author also noticed that the performance of the "new style" of the Qianlong dynasty Ching-te-chen kiln’s ceramics is more oriented than our past cognition, and further exploration of the ideas behind it is needed.
Through the specific investigation of the physical objects and the comparison of the archival , the author believes that "Qiao" is one of the concrete tastes of the Qianlong Emperor in the contemporary ceramic craftsmanship.. In the case of the Revolving vase, We can see how the craftsmen of Qianlong Ching-te-chen kilns show their cleverness in the form of works, and can also see the ingenuity of the Emperor Qianlong''s understanding and reinterpretation of various traditions.
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