A Study on Crossover Performance of Contemporary Percussion Music: on Cases of “MuLan”, “Cleopatra and Caesar” and “Thank You, My Teacher”

碩士 === 國立臺灣藝術大學 === 戲劇學系表演藝術碩士班 === 106 === Crossover style has become popular among the world since 1980’s. It has seemed that performances with the crossover style have become a fresh tide which influencing the field of the performing arts in Taiwan. From now on, what the artists pursue is not onl...

Full description

Bibliographic Details
Main Authors: HUANG,WEI-TING, 黃煒婷
Other Authors: CHEN,HUI-SHAN
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/64zz5n
Description
Summary:碩士 === 國立臺灣藝術大學 === 戲劇學系表演藝術碩士班 === 106 === Crossover style has become popular among the world since 1980’s. It has seemed that performances with the crossover style have become a fresh tide which influencing the field of the performing arts in Taiwan. From now on, what the artists pursue is not only the perfection in one single field but also make perfection more perfect and experiment much more possibilities through the cooperation with the other types or media. In recent years, the forms of the crossover percussion music performance have provided variety and broken the stereotype for traditional instrumental concert. What the crossover music performers yearn is to combine or mix another art media for experiment the brand new styles or the flesh forms for performing. While the crossover performance study of music has developed, the contemporary interdisciplinary study in percussion is still limited. This study chose three different kinds of percussion performance, Mulan, Cleopatra and Caesar, Thank you, My Teacher, to explore the application and development of the contemporary percussion performance.