| Summary: | 碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 106 === Islands have various forms and humanistic atmosphere as a peculiar natural
geomorphology. Our life on them not only affects the forms of islands, but also is
affected by the island forms; islands become wonderful with people and people
experience the wonder of the world on islands. This research paper takes imagery
thinking of “island” as the research axis of landscape painting creation, discusses the
relationship between inner spirit of individuals and manifestations of nature and takes
it to make art creation to describe personal mind. This creation takes Chinese
traditional painting, philosophical thought and aesthetic theory as basis, combines the
observation and understanding in contemporary life, adopts traditional Chinese
painting medium to present own painting style in the expression theme of “island”
and delivers the things saw, thought and understood in landscape painting.
This research paper consists of five chapters. The first chapter confirms the purpose
and significance of this research paper through theoretical discussion of predecessors
in painting as well as the discussions on philosophical connotations and literary
significance behind painting thought. The second chapter discusses the theoretical
basis of “One Island One World” and explores the expression form of theoretical basis
in paintings of predecessors, which confirms theoretical basis for expression ways and
forms of individual creation and seeks for breakthrough direction. The third chapter
discusses the literary connotations of “island” as well as the painting works related to
island, summarizes the creation experience of predecessors and provides references
for individual creation. The fourth chapter elaborates works, analyzes the creation
ideas and skills, describes from four series of (1) Tao is Bodhi series, (2) Five colors
disorder series, (3) Nanshan meeting series and (4) Normalization series to express
the mood of personal creation. The fifth chapter is creation experience, thinking and
expectation for future.
The creation of One Island and One World integrates individual painting language and
constructs artistic conception of self landscape painting through research on ink and
wash creation of four series as well as the observations and experience for nature and
life and the exploration of humanistic thought.
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