| Summary: | 碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 106 === The thesis probes into the various elements on Su Shi’s calligraphy in his letters through the forms, context of the work, and Su’s philosophy toward life and art.
With its unique form, in calligraphy in letters there is usually a juxtaposition of long and short sentences, and of tight and loose layout of characters. The style is sincere, plain, and forthright. Through the history, letters in different dynasties show various artistic tastes, reflecting the social institution and literary life in their respective times.
Most of Su’s letters were written to his family and close friends, covering various topics and reflecting Su’s personal interaction, daily life, and literary exchange. They also show Su’s change of thoughts and philosophy in the course of his life.
“Disposition” is at the center of Su Shi’s idea in artistic creation. Su expounds this idea in respect of learning approaches, brush skills, aesthetical standards, and concept of creation. He thus extends the content of “disposition”, as well as forming his personal style. Su’s letters present the combination of Su’s calligraphy theory and practice. Su’s letters reveal his breakthrough from his early and middle years to his old age. They also show the formation of his personal style. The letters in his old age manifest his ideal state: Calligraphy showing disposition rather than technique, Best work created when it’s not written with an intention, as well as plainness. However, the content of disposition varies with the purpose and condition of writing, so that some of Su’s letters are unbound and unrestrained, while others are cautious and graceful.
To sum up, the results of my analysis show that Su Shi’s artistic traits contains the following: First, disposition is without a set form. Su presents his disposition in various rules, though with his distinct personal style, revealing a natural style. Second, Su’s work is full of belletristic style. This style in the calligraphy of his letters is shown in his improvisational demeanor, symbiotic relationship of calligraphy and letter, as well as similar tone in the calligraphy style and contents. Third, forms of his work vary with his idea. Su’s letter is diversified in calligraphy style and contents. He mastered in using different types of letters, making his calligraphy work even more versatile.
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