| Summary: | 碩士 === 國立臺灣藝術大學 === 雕塑學系 === 106 === In this research, the author takes "Empty, Filling and Flowing" as a theme to reconcile his own concept of sculpture creation from 2010 to 2018. Before beginning to enter the sculpture creation, this turning point was mainly inspired by the clothing system, including clothing styling and its overall aesthetics. Into the field of sculpture creation, only through the concept of expansion and material exploration of cloth, combined with the changes in the arts, society and clothing changes in the field, to the use of the three-dimensional creation of performance thinking; recently, began to consider clothing, sculpture and their own The meaning of mutual representation. It covers the initial discussions with individuals about clothing, the starting point for material linkages, and the family-oriented relationship, and is thus intertwined and stitched together.
Propositional thinking, but also derived from the sculpture is also a garment, both of which have been the author's work concept statement and motivation to promote ideas. The article will analyze the structure and function of clothing objects as the core of the discussion, and through the concept of sculpture media and space to deconstruct and constitute the creation. First, it discusses the objective state of object space, discusses the creation of space-level coating and stacking through the inside space and outside space of the garment flip, and secondly, the clothing-based dialogue. Clothing is not just a concept of clothing objects; it also responds to the individual and the society. It is also the author's discussion of the material, physical and cultural systems.
Finally, the content will be brought to the discussion of time, back to the soft nature of the material as the main axis. The text will be staggered with various times from the inside to the outside, discussing the various possibilities of material imagination and form imagination to be reached on different time axes.
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