| Summary: | 碩士 === 國立臺灣藝術大學 === 中國音樂學系 === 106 === “Amanisha” This piece of art consists many Uyghur music, alongside with the interpretation of the Erhu solo combining with the sound of an orchestra. Such an unique technique is what motivated the author to make an analysis on this certain piece.
By doing a great quantity of research and visiting the composer Wang Dan-Hong, the author was told that in Wang’s compositions, there are often folk and tribe kind of music involved. By analyzing the structure, melody and the orchestrating technique of the composition, building upon rational mindset of analyzing the data, adding a taste of sentimental mindset of interpretation and the use of performance technique, it refreshes the composition and bring out new joy as well as set a bridge between the composer and the audience.
With a deep research and analysis, the author has concluded that “Amanisha” contains both folk music and the charm of the performer, two completely different aspects fused together makes it stand out among other Erhu pieces. Next the author concluded two major points to play the piece: both hands need to cooperate together due to the speed of the piece, and the technique of playing folk music .The author wish to give some advice to other performers after his interpretation and analysis, going through the creative technique of the composer and the analysis of the concepts used in this piece to impact each other, in hope of more brilliant work to be made and therefore develop the way of fold music.
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