Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16
碩士 === 東吳大學 === 音樂學系 === 106 === Romanticism has been awakening in nineteen century. Music and Literature can hardly been separated. Therefore, composing of piano character pieces became a trend. The core center of this research is the analysis and Interpretation of Mendelssohn’s Drei Phantasien...
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ndltd-TW-106SCU002480042019-05-16T00:00:48Z http://ndltd.ncl.edu.tw/handle/2mjys3 Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 孟德爾頌《三首為鋼琴而作之幻想、隨想曲》作品16之詮釋與演奏探討 Hsu, Pao Yu 許寶友 碩士 東吳大學 音樂學系 106 Romanticism has been awakening in nineteen century. Music and Literature can hardly been separated. Therefore, composing of piano character pieces became a trend. The core center of this research is the analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16. The structure can be divided into three parts. Firstly, the comparison of fantasy and capriccio before and after nineteen century. Secondly, background of these three pieces included: first section- Autobiography of Mendelssohn. Second section-composing style of Mendelssohn and general lists of his piano works. Third section, the story as well as publish of op.16. Thirdly, the music structure and specific feature analyses that lead to interpretation. Vaughan, John 范德騰 2018 學位論文 ; thesis 65 zh-TW |
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碩士 === 東吳大學 === 音樂學系 === 106 === Romanticism has been awakening in nineteen century. Music and Literature can hardly been separated. Therefore, composing of piano character pieces became a trend. The core center of this research is the analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16. The structure can be divided into three parts. Firstly, the comparison of fantasy and capriccio before and after nineteen century. Secondly, background of these three pieces included: first section- Autobiography of Mendelssohn. Second section-composing style of Mendelssohn and general lists of his piano works. Third section, the story as well as publish of op.16. Thirdly, the music structure and specific feature analyses that lead to interpretation.
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author2 |
Vaughan, John |
author_facet |
Vaughan, John Hsu, Pao Yu 許寶友 |
author |
Hsu, Pao Yu 許寶友 |
spellingShingle |
Hsu, Pao Yu 許寶友 Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
author_sort |
Hsu, Pao Yu |
title |
Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
title_short |
Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
title_full |
Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
title_fullStr |
Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
title_full_unstemmed |
Analysis and Interpretation of Mendelssohn’s Drei Phantasien oder Capricen für das Pianoforte Op.16 |
title_sort |
analysis and interpretation of mendelssohn’s drei phantasien oder capricen für das pianoforte op.16 |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/2mjys3 |
work_keys_str_mv |
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