The imagery of Mountain Rocks

• Main Authors: LI,TSU-YING, 李姿瑩
• Other Authors: LIN,WEN-HAI
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/zehmed

碩士 === 東海大學 === 美術學系 === 106 === Abstract The purpose of this thesis is to reflect and study the author’s creation regarding mountain rocks observation and the performance after it has been conducted with scientific color, light and shadow adjustments, thereby completing the creative contents of “Imagery of the Mountain Rocks.” The first paragraph describes the motivations and purposes of studying such painting topic, elaborates the author’s starting point and reference direction on this discourse, defines the text and information searching scope, and finally explains the terms of the text. The second paragraph begins to sort out the Oriental and Western information that have been normalized, study and organize the painting contents, and discuss the main contents of Oriental landscape line drawing and the evolution of Western light and shadow in conjunction with Taiwan’s local minerals and topography. They serve as a basis to write the creative discussion for the third chapter. The third chapter briefly describes the research topic of the mountain, river, rocks and sea that were personally seen and recorded by the author to reflect the true appearance of nature and the characteristics of the mountain rocks that were re-portrayed through the heart. So, in terms of research information sources, besides the most basic geographical knowledge and mineral science contents, these two are the writing contents of studying the Oriental mountain rock performance. Finally, the Western light and shadow changes were taken as the main topic contents. After the end of emotional expression and organizing, the fourth chapter is an attempt to create based on the collaboration of the main literature information analysis and this discussion, a comparison between the contents viewed by the naked eye and the images preserved through scientific photography technology, the relationships to experience between mountain and rocks, and their locations and dialogues. Being processed by the computer, the performance of light and shadow is able to show the experience and reality, as well as the contents changed through the lens. The works and work contents created through this fundamental method were then introduced one by one. Finally, a summary was made based on the following process of concept development - organizing - thinking - actual creation. The conclusion discusses about the inspirations and impacts subjected by various stages, and the experience of the entire creative process.