Between Dog And Wolf - The Shape And Plastic Under The Dim Blur
碩士 === 國立臺南藝術大學 === 應用藝術研究所 === 106 === This report explains the relationship between my creative approach and life experiences. By feeling the meaning of everything around me in life and the way we are connected, explore the external factors how to intervene in the internal feelings of the creation...
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ndltd-TW-106TNCA55090162019-05-30T03:57:13Z http://ndltd.ncl.edu.tw/handle/y7998s Between Dog And Wolf - The Shape And Plastic Under The Dim Blur 狼狗時光 -模糊朦朧下的形塑 Chen, Pei-Yu 陳珮瑜 碩士 國立臺南藝術大學 應用藝術研究所 106 This report explains the relationship between my creative approach and life experiences. By feeling the meaning of everything around me in life and the way we are connected, explore the external factors how to intervene in the internal feelings of the creation state, with their own attitude to life to push and analyze themselves, by virtue of the "experimental" creative expression, I also seek to clarify the different layers of inter-connectivity between creating art and life. I work in the medium of clay and porcelain and “Mold Forming” is my main creative method. The theme of my works can be divided into two distinctive paths; the first is the imitate, which takes the reappear as its motif, Human imitation in contemporary society, the definition of reappear in art, and my influence on reappear. The second is the mould, which takes the understanding and intertwined elements of life and attempts to give them voice. This report is divided into four chapters. Before discussing creative behavior and the work, chapter one first Referring to one's own life experience, because i am in a state of doubt, then the method of creating self-answer is to find possible solutions. Chapter two focuses on discussions on the social environment, this section responds to a human in a social environment. For example, self-identification, ethics of shopping in a consumer society, and the distortion of judgement in life values all reveal the possibility of the alienation of social reality that has led to confusion. Chapter three discusses the characteristics of molding and the use of industrial mass production molds, and discusses how molding began to be applied by artists into art creation. Chapter four describes the name of the exhibition and shows how it can be answered through the molding process to analyze the attitude of life and the thinking of creation. Chang, Ching-Yuan 張清淵 2018 學位論文 ; thesis 53 zh-TW |
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碩士 === 國立臺南藝術大學 === 應用藝術研究所 === 106 === This report explains the relationship between my creative approach and life experiences. By feeling the meaning of everything around me in life and the way we are connected, explore the external factors how to intervene in the internal feelings of the creation state, with their own attitude to life to push and analyze themselves, by virtue of the "experimental" creative expression, I also seek to clarify the different layers of inter-connectivity between creating art and life.
I work in the medium of clay and porcelain and “Mold Forming” is my main creative method. The theme of my works can be divided into two distinctive paths; the first is the imitate, which takes the reappear as its motif, Human imitation in contemporary society, the definition of reappear in art, and my influence on reappear. The second is the mould, which takes the understanding and intertwined elements of life and attempts to give them voice.
This report is divided into four chapters. Before discussing creative behavior and the work, chapter one first Referring to one's own life experience, because i am in a state of doubt, then the method of creating self-answer is to find possible solutions. Chapter two focuses on discussions on the social environment, this section responds to a human in a social environment. For example, self-identification, ethics of shopping in a consumer society, and the distortion of judgement in life values all reveal the possibility of the alienation of social reality that has led to confusion. Chapter three discusses the characteristics of molding and the use of industrial mass production molds, and discusses how molding began to be applied by artists into art creation. Chapter four describes the name of the exhibition and shows how it can be answered through the molding process to analyze the attitude of life and the thinking of creation.
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author2 |
Chang, Ching-Yuan |
author_facet |
Chang, Ching-Yuan Chen, Pei-Yu 陳珮瑜 |
author |
Chen, Pei-Yu 陳珮瑜 |
spellingShingle |
Chen, Pei-Yu 陳珮瑜 Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
author_sort |
Chen, Pei-Yu |
title |
Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
title_short |
Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
title_full |
Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
title_fullStr |
Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
title_full_unstemmed |
Between Dog And Wolf - The Shape And Plastic Under The Dim Blur |
title_sort |
between dog and wolf - the shape and plastic under the dim blur |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/y7998s |
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