| Summary: | 碩士 === 國立臺南藝術大學 === 藝術史學系藝術史與藝術評論碩士班 === 106 === In 1960s, Taiwan under the background of developing design concepts and foreign literary trends being introudction , the magazine play the role as exhibitions and message production, weaving the communication among the artists in different fields. Opens up not only the reflection of the essence of art, but also the preliminary cohesion of the concept of contemporary art, so that shape the significance of artist in between the interdisciplinary activity.
As the research object, Designer magazine which published in 1967, contents widely contained fields of art, design, advertisement, architecture, etc, and communicated with Hwa-Wai Association, Free-Form Art Exhibition, 70s Super Exhibition; furthermore, it held avant-garde art practice of Huang-Kuo-Su Exhibition, spreading new perspectives about graphic design and shaping the multiple phases.
To observe the interactive thoughts and dialogues among the artists inside the magazine, this thesis will focus on analyze Designer magazine and the various kinds of exhibitions which had the relationship or progress with it in 1960s. Using the framework to gaze at the possibility of taking magazine as a space, and outline the significance of transgression in 1960s Taiwan art history.
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