Summoned by the Absence

碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 106 === The thesis explores the chronological development of the researcher’s art creation in the postgraduate stage, and the titles of the chapters are the name of the series of works. Chapter 1 “Disappearing Tone” describes my personal status at the time, space and...

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Main Authors: Hsiang-Hsiang Tsou, 鄒享想
Other Authors: Shih-Yung Ku
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/3aj6x6
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spelling ndltd-TW-106TNCA55800132019-05-30T03:57:13Z http://ndltd.ncl.edu.tw/handle/3aj6x6 Summoned by the Absence 空缺之處-場域的召喚 Hsiang-Hsiang Tsou 鄒享想 碩士 國立臺南藝術大學 造形藝術研究所 106 The thesis explores the chronological development of the researcher’s art creation in the postgraduate stage, and the titles of the chapters are the name of the series of works. Chapter 1 “Disappearing Tone” describes my personal status at the time, space and milieu as well as how did I confront and make a balance in such situation with the energy of creation, and then be conscious of the constancy of disappearance. Chapter 2 “Things in the Gaze” describes the revealing alienation through the gaze of daily commodities in the corner. Attempting to explore the indivisible state among the object, corporeality and the field in the gaze. Chapter 3 “Offsite” through the defamiliarization that came from the field, and further explores the subject-object relation between self and beings, and responds to the concept of “Il y a” proposed by Emmanuel Levinas. Chapter 4 “Holiday Plaza” describes how the distorted exotic landscapes exist in our memories, incorporated in our impression of residence with its “familiarity.” And through this distortion, reinterprets the relationship between self and the field. I take the field as a medium of constant motion overlap with the body, and discuss the occult about the object with its defamiliarization. This occult is reflected by the perceptual experience from disappearance, fragility, suspension, temptation and summon. They are related to the invisible presence in the field, which are able to assert themselves because of the sense of absence. The disappearance of constancy, gaze, Il y a, distortion and other various kinds of concepts extended by painting activities are what I use to express the core concept by different points in this paper. I use them as a basis to inquiry the essence of things that always exist but never show up, and that appear because of absence. Shih-Yung Ku 顧世勇 2018 學位論文 ; thesis 68 zh-TW
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description 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 106 === The thesis explores the chronological development of the researcher’s art creation in the postgraduate stage, and the titles of the chapters are the name of the series of works. Chapter 1 “Disappearing Tone” describes my personal status at the time, space and milieu as well as how did I confront and make a balance in such situation with the energy of creation, and then be conscious of the constancy of disappearance. Chapter 2 “Things in the Gaze” describes the revealing alienation through the gaze of daily commodities in the corner. Attempting to explore the indivisible state among the object, corporeality and the field in the gaze. Chapter 3 “Offsite” through the defamiliarization that came from the field, and further explores the subject-object relation between self and beings, and responds to the concept of “Il y a” proposed by Emmanuel Levinas. Chapter 4 “Holiday Plaza” describes how the distorted exotic landscapes exist in our memories, incorporated in our impression of residence with its “familiarity.” And through this distortion, reinterprets the relationship between self and the field. I take the field as a medium of constant motion overlap with the body, and discuss the occult about the object with its defamiliarization. This occult is reflected by the perceptual experience from disappearance, fragility, suspension, temptation and summon. They are related to the invisible presence in the field, which are able to assert themselves because of the sense of absence. The disappearance of constancy, gaze, Il y a, distortion and other various kinds of concepts extended by painting activities are what I use to express the core concept by different points in this paper. I use them as a basis to inquiry the essence of things that always exist but never show up, and that appear because of absence.
author2 Shih-Yung Ku
author_facet Shih-Yung Ku
Hsiang-Hsiang Tsou
鄒享想
author Hsiang-Hsiang Tsou
鄒享想
spellingShingle Hsiang-Hsiang Tsou
鄒享想
Summoned by the Absence
author_sort Hsiang-Hsiang Tsou
title Summoned by the Absence
title_short Summoned by the Absence
title_full Summoned by the Absence
title_fullStr Summoned by the Absence
title_full_unstemmed Summoned by the Absence
title_sort summoned by the absence
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/3aj6x6
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