Engraving in Time：Printmaking Art Creation’s Statement

• Main Authors: Yu-chih Fang, 方玉芝
• Other Authors: 黃郁生
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/ewgmzk

碩士 === 台南應用科技大學 === 美術系碩士班 === 106 === The theme of this topic, "Engraving in Time：Printmaking Art Creation’s Statement"is my creative writing between 2014 and 2017, motivated by what we have seen through our eyes and seeking messages from time to time accumulatively and stacked them bypieces. The picture of personal recognition and projection with deep emotion turning intoprint presented as a visual scene work is a record of history of human life; also refl ecting the thought of traces in the world, and turning points in our life as purpose. First, explain how the deep impact and desire to create by viewing the original sincechildhood. Moreover, Diderot said the beauty in the relationship corresponded with mechanisms of watching, gazing and reproducing to corroborate the relevant artists, such as, Jean Francois Millet, Maurits Cornelius Escher, James Abbott McNeill Whistler, and Huang Yu-sheng and their work has elaborated on what constitutes the basis of creation in theory. Also reviewing my personal experiences and feelings from recent years; in time is‘present’,‘past’, and‘future’; in space is‘have being’,‘already’,‘will be’corresponded with a scene from‘body’,‘heart’,‘spirit’depicts the veins of creation. The choice of the Mezzotint copper print is because applying this technique can achieve the intent, the work revealed the style, and desired picture effects. However, the improvement of skill in arts cannot be stopped as the traces of time go endlessly. The use of print skills helps to present passion in my heart that is the beginning; extensive reading and creative writing expressed my idea that is the end. The fl ow of creation never takes a break that extends the power of the time stamp.