| Summary: | 碩士 === 國立交通大學 === 客家文化學院客家社會與文化學程 === 107 === This writing record of “Flower of Life " dance drama creation concept is takes Taiwanese contemporary poetess poetry as the theme, combined with a number of outstanding designers: Hakka Golden Melody Award winner Lo Sirong to create music and singing, lighting designer for the Hong Kong Dance Award outstanding lighting design Award winner Goh Boon Ann and Cloud Gate costume technical guidance Yang Yu-Teh, And was performed at the Hakka Music and Drama Center in Taipei by Water Reflection Dance Ensemble, they are Outstanding Performing Arts Team of New Taipei City.
This writing record of “Flower of Life " dance drama creation concept is presented in the form of modern dance creation and theater performance. The whole performance is based on the "Taiwan Land Birth" as the main axis of development. Eight unique poems of Taiwanese contemporary poetry are used to dance, showing that this land of Taiwan nourishes female poets. Distinctive and delicate emotions, and interpret the reflections of life in different generations. The dance is about the encounter of "Poetry-Dance- Song". It emphasizes the cross-border cooperation of the three "mutually the main body". Through the dance carrier, it reveals its real world of more yuan, and the dance method of the micro-ends. Like the distribution on the veins, like the distribution of body muscles, it is expected to cause more feminine cultural vibrations. The first chapter is written through the origin of the Creation “Flower of Life " and combs the process and evolution of Choreographer’s creation all the way. The second chapter discusses the creative concept of the whole dance drama of “Flower of Life ". The third chapter is to explore the concept and presentation of choreography in each piece of work. The fourth chapter is about how the stage aesthetics constructed by the Choreographer can be realized through cooperation with artists in various fields. The fifth chapter is the conclusion. Through the creative process and Performance production implementation of two major aspects of the review and reflection, hoping that the dance for the future will have the possibility of re-development, and hope to the Hakka art and culture to make a modest contribution.
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