Research on the Pavilion Prose of the Song Dynasty

• Main Authors: Hsu, Ching-Chung, 徐靜莊
• Other Authors: 周益忠
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/gmd75u

博士 === 國立彰化師範大學 === 國文學系 === 107 === The ancient pavilion proses mainly focus on the literary themes, structure, etc., and the four types of pavilions articles are combined into one. The specificities of pavilion prose are about the space, what happens in the location, and the perceptions that people have in it. As seen, it is the main focus of cultural geography or space experience when the meaning is examined from the perspective of how people interact with the space and the location. The thesis attempts to combine the literary and spatial experience categories, using the pavilion texts as the material to analyze the expression of space, character minds and local scriptures. The scope of the text is based on the place and space meaning of the pavilion. Because the bower and the pavilion are different in terms of architectural style and purpose, it is convenient to find the different perspectives respectively written in the official pavilion texts and those private pavilion ones. From this base, there develop two types of pavilion literature. The official pavilion texts describe the local memories of the county and the association with the imperial court, while the spatial expression of the private pavilion is the pavilion owner’s self-expression. The pavilion literature had risen from the middle Tang Dynasty, and flourished in the Northern Song Dynasty. On the one hand, the practical features of the traditional style of pavilion had never ceased since the Northern Song Dynasty and the Southern Song Dynasty. On the other hand, the creations of the ancient texts writers in the Tang and Song Dynasties had changed their style of the "Pavilion literature," deconstructing the "recording elements” inherent in the texts. In the southern Song Dynasty, there were more works derived from the “recording elements,” endowing the texts with more features of sensational aestheticism, poet consciousness, and short articles.