Discussion on Tenmoku Glaze and Shape -The Ceramic Creation of Ming-Ter Chi

• Main Authors: Ming-Ter Chi, 紀明德
• Other Authors: Liao Jui-Chang
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/3a4fqp

碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 107 === Abstract Ceramic art is a record of a way of life. The Tenmoku tea bowls came out due to the life activities, habits, and backgrounds of the times. This research mainly focuses on the author's ceramics research work between 2014 and 2018. Through the records of documents, periodicals, and essays, the author enriches the knowledge on ceramic art creation. The comparative study method and the experimental research method were used to study how to reduce the temperature of the firing of the Tenmoku enamel and shorten the gap between theory and practice through the action research method. Through the study of pottery knowledge and practical experience during the Institute, it was applied to the creation of ceramic art. The study of creation is divided into five chapters. The first chapter clarifies the research motivation and purpose and research methods, explains the scope and limitations of the research, and determines the research direction. The second chapter explores the academic basis of the thesis.From the literature and archaeological data, understand the glaze color of the Tenmoku tea bowls and the composition, shape and oxidation of the body.The fire is burned and reduced to an atmosphere.The third chapter describes the creation ideas, forms, and problems encountered in the creation experience and the way they respond. The fourth chapter explains the works, integrates the concepts of the second and third chapters and the experimental experience, and elaborates the concept of series of works and individual works. The fifth chapter focuses on the creation and research of this creative work, and reviews and ponders the direction of future creative work. The purpose of the creative research is threefold. First, through the publication of the literature, the publication of the journals and the collection of archaeological excavation data, and the actual experimental results, to develop the expression of individual ceramic art creation. Second, the experimental research method and the action research method, the experimental melting The effect of the better Tenmoku effect formula, the experiment of firing in different atmospheres, etc., to explore the difference in the firing performance. Third, the results of the experiment applied to the creation of the tea bowls shape. It is known from this study that the Tenmoku glaze can be fired at an oxidation temperature of 1230 ° C. Black Tenmoku glaze, Oil drop glaze, Persimmon glaze and Freckle glaze have a good firing effect. However, the performance of rabbit glaze in glaze color is not as bright as that of the glaze Tenmoku under the reducing atmosphere, and the texture is relatively flat. Therefore, the author believes that there is still room for continuous research on the glaze color and texture of Rabbit glaze. Keywords: Tenmoku glaze, oxidation firing, reduction firing