Mind Roaming Beyond Object–The Discourse of Creation by Tsai Hung-Yi

• Main Authors: TSAI, HUNG-YI, 蔡宏義
• Other Authors: Chan, Hsien-Kun
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/eexkvy

碩士 === 國立高雄師範大學 === 美術學系 === 107 === Abstract “Mind Roaming Beyond Object - The Discourse of Creation by Hung-Yi Tsai” is base on the author’s personality and emotional feelings those express in whose calligraphy and painting work, which combines the author’s mental and spiritual freedom, as well as experience in whose real life. Moreover, it’s covered by the author’s knowledge, wisdom, life attitude and artistic display…etc., personally, I believe that the best path of creating artwork is to realize self mind and fulfill it constantly, and furthermore, it should be accomplished by accumulating personal practices and acts for a long time. Metaphysical artwork should be natural, innocent and childish, so the audiences are delighted and touched and that is the core of “Tao follows the law of nature” of Lao Zi and Zhuang Zi’s thoughts, that is advocating natural aesthetic. This Creative Discourse is divided into five chapters. Chapter 1 is Introduction; Chapter 2 describes creation theoretical foundations; Chapter 3 is the narrative context of creation; Chapter 4 is the Interpretation of my works. Finally, a summary and prospect is provided in Chapter 5. My personal discourse is mainly from the calligraphic linear calligraphy as well as sutra transcription, Buddhist hymn, poems expressing my mind, understanding of life in combination with calligraphy; moreover, calligraphy and painting is consanguinity to extend to contexts such as elaborate-style (gongbi) painting, Dunhuang frescoes, and imagery ink art, to create my works according to the artistic sense from the graduate institute and to convey my own mental affections so as to take on a new look of the modern calligraphy and ink painting. The creative discourse is divided into two parts, calligraphy and ink painting. Making an overview of calligraphic linear content, form and imagery ink painting are presented by individual or to explore the value of life, the attitude of life and artistic expression of artworks. Lines, meanings and forms expression of author’s calligraphic linear as well as the concepts of eastern and western modern art, media and the use of techniques of ink painting, through the creative topic, are all pondered not only art innate character of calligraphy and ink painting but also how to practice in life. To practice it, we could only calm our bodies and minds, feel peace whatever we meet, indifferent to fame, pursuit freedom of bodies and minds, and constantly writing and creating for it, then we could represent life value and emotion on the artworks.