| Summary: | 碩士 === 國立臺灣體育運動大學 === 舞蹈學系碩士班 === 107 === The aim of this study is to discuss how these aesthetic elements were present by choreographer, Po-Cheng Tsai. First of all, the definitions of dance aesthetic and the Multiculturalism of literature were reviewed. Secondly, the choreographic structure of “floating flower, 2014”, “Hugin/Munin, 2015”, and “Innermost, 2016”. Skillset nonparticipant observation and semi-structured interview were to verify the aesthetic value of dance by Po-Cheng Tsai in three creative works. Finally, we find out Po-Cheng Tsai utilized Taiwanese religion and martial arts to construct his own unique contemporary dance. This essay could help those researchers who will explore and discuss Taiwanese contemporary dance as a reference.
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