“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin
碩士 === 國立臺中教育大學 === 美術學系碩士班 === 107 === Since I had never been trained in the traditional way to draw, I spent a lot of time finding a style, which I was able to keep up and with personal style at the same time. The Tiny Worlds series began from one of my experimental creations. Use images and silho...
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ndltd-TW-107NTCT02360102019-08-21T03:41:50Z http://ndltd.ncl.edu.tw/handle/hdv5we “The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin 「小世界」-林蔚云創作論述 LIN, WEI-YUN 林蔚云 碩士 國立臺中教育大學 美術學系碩士班 107 Since I had never been trained in the traditional way to draw, I spent a lot of time finding a style, which I was able to keep up and with personal style at the same time. The Tiny Worlds series began from one of my experimental creations. Use images and silhouette from nature and geometric shapes as symbols, placing them in specific ways, such as straight line, curve, or circle, to complete the work. With Kandinsky, Pail Klee, and Joan Miró ’s work, we can see each has some similar symbols been use again and again with some kind of order in one picture. These symbols are like words created by the artists. They may look simple, free, and indefinable, yet they have rhythm and harmony. We live in a bondless world. To see it as a whole, both time and space seems enormous and without ever change, yet the world has in fact never stop changing. I tried to understand it,to see it as a scientist and paint it as a n artist, to shrink the space and shorten the time, like taking notes from the world. KAO, YUNG-LUNG 高永隆 2019 學位論文 ; thesis 80 zh-TW |
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zh-TW |
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Others
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碩士 === 國立臺中教育大學 === 美術學系碩士班 === 107 === Since I had never been trained in the traditional way to draw, I spent a lot of time finding a style, which I was able to keep up and with personal style at the same time. The Tiny Worlds series began from one of my experimental creations. Use images and silhouette from nature and geometric shapes as symbols, placing them in specific ways, such as straight line, curve, or circle, to complete the work.
With Kandinsky, Pail Klee, and Joan Miró ’s work, we can see each has some similar symbols been use again and again with some kind of order in one picture. These symbols are like words created by the artists. They may look simple, free, and indefinable, yet they have rhythm and harmony.
We live in a bondless world. To see it as a whole, both time and space seems enormous and without ever change, yet the world has in fact never stop changing. I tried to understand it,to see it as a scientist and paint it as a n artist, to shrink the space and shorten the time, like taking notes from the world.
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author2 |
KAO, YUNG-LUNG |
author_facet |
KAO, YUNG-LUNG LIN, WEI-YUN 林蔚云 |
author |
LIN, WEI-YUN 林蔚云 |
spellingShingle |
LIN, WEI-YUN 林蔚云 “The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
author_sort |
LIN, WEI-YUN |
title |
“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
title_short |
“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
title_full |
“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
title_fullStr |
“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
title_full_unstemmed |
“The Tiny Worlds ”-Artistic Discourse of Wei-Yun Lin |
title_sort |
“the tiny worlds ”-artistic discourse of wei-yun lin |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/hdv5we |
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