Discussion on the Adaptation and Transformation of Ink painting in Korea and Taiwan-A Study of painting by Kang YunJeong\'s Exquisite Secret Garden

• Main Authors: Kang, Yun-Jeong, 康倫禎
• Other Authors: Lee, Cheng-Ming
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/57tp78

博士 === 國立臺灣師範大學 === 美術學系 === 107 === This thesis attempts to understand the development of modern ink paintings in Korea and Taiwan from the 1960s by the works of Korean and Taiwanese ink painters, the background of the times, and the development of culture. At the same time, with reference to the statements of art critics and artists, the differences and developments of modern ink paintings between Korea and Taiwan are compared with the past ones to be a reference for the development of personal ink painting. Because the development of the ink and wash circles in Korea and Taiwan changed dramatically in the 1960s, I decided to explore the evolution of the ink art from the 1960s to the present day. During my study abroad in Taiwan, I tried to make further comparative studies on the development of ink painting in Korea and Taiwan. I also have a deeper insight into the natural culture, environment and society of Taiwan. I thus found that the processes of modernization of ink painting development in Taiwan and Korea are very similar. In the past, when the artists were active, they developed many creative and personal styles. Although the knowledge I absorbed, learned and internalized is too many to mention, it has become my inspiration. Furthermore, this article also shows my different painting psychological journey in Korea and Taiwan and my attempts to use different materials to create, pursuing my career towards ink art. The theme of my paintings are landscapes, and I have always been adhering to the exquisite and elaborate concept of creation, like the artistic conception of my personal exhibition "exquisite and secret wonderland", and explores whether the artistic conception is still effective in modern ink art. For new generation ink painters, landscape paintings are considered a kind of classic traditional paintings in the past but similar to western landscape painting. Therefore, the identity of landscape painting is gradually forgotten. In this thesis, I took landscape paintings as the main point, planned to analyze the artistic conception and its works with modern language and concepts, and associated it with my own landscape creation concept. Tracing back to the past from modern times, we can not only understand landscape painting, but also research the possibility of the development of it to inherit traditional arts authentically. In the aspect of ways to express, I usually use ink pen instead of a traditional brush. I believe that art is not limited to materials and that contemporary artists can research and create landscape paintings with various materials. I also hope to expand the possibilities of the development of ink painting.