A Study of Contemporary Chinese Classical Opera in Taiwan — On the Cross Cultural Interpretation of Music and Drama

博士 === 國立臺灣藝術大學 === 表演藝術學院表演藝術博士班 === 107 === The core of Opera art is libretto and music. This article explores the cross-cultural thinking of songs and dramas with the study of contemporary Chinese classical opera in Taiwan. The first section discusses the libretto and singing form of the opera. T...

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Bibliographic Details
Main Authors: CHANG, YUH-YIN, 張玉胤
Other Authors: TSAI, YUNG- WEN
Format: Others
Language:zh-TW
Published: 2019
Online Access:http://ndltd.ncl.edu.tw/handle/64x5p7
Description
Summary:博士 === 國立臺灣藝術大學 === 表演藝術學院表演藝術博士班 === 107 === The core of Opera art is libretto and music. This article explores the cross-cultural thinking of songs and dramas with the study of contemporary Chinese classical opera in Taiwan. The first section discusses the libretto and singing form of the opera. The second part moves on to analyze the cross-cultural phenomenon of Western operas and Chinese classical operas. Finally, the cross-cultural characteristics of Chinese classical operas is interpreted by the three contemporary Chinese classical operas -“A Vow to the Underworld Spring” " the legend of deer hunting" and “The Four Women in Puppet Master Lee Tien-Lu’s Life " construction the humanistic connotation and artistic Value of Contemporary Performing Arts in Taiwan. The purpose of this study is to explore contemporary Chinese classical opera through the discussion of the related literatures and the aesthetic concepts, expecting to broaden the new horizon for the development of performing arts in Taiwan, providing more creative energy and innovation, and look forward to building the aesthetic style and new vision of contemporary Chinese classical opera in Taiwan.