Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age
碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 107 === What we see is true. Every day we must judge things with our eyes. We are used to things that happen frequently around us. Through the mechanism of viewing, makes people can tell space, color, dynamics, and styling, enabling people to connect with others. The l...
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ndltd-TW-107NTUA08150242019-09-26T03:28:22Z http://ndltd.ncl.edu.tw/handle/482f4n Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age 數位時代之水墨山水 視‧識‧覺 楊子逸繪畫創作研究 YANG, TZU-YI 楊子逸 碩士 國立臺灣藝術大學 書畫藝術學系 107 What we see is true. Every day we must judge things with our eyes. We are used to things that happen frequently around us. Through the mechanism of viewing, makes people can tell space, color, dynamics, and styling, enabling people to connect with others. The landscape has become more and more alienated in our lives today, the significance and importance of landscape painting in today's concept seems that it is no longer important. The author tries to put forward the way of seeing the landscape of the image society, so that the public can have the opportunity to feel the beauty of the landscape and the mystery of nature. This essay is divided into five chapters: The first chapter proposes the research direction and the motivation of this theory, emphasizing that the society constructed by the digital age has brought tremendous changes, and how the realistic images affect us, in the second chapter and the third establishes the academic basis, through the analysis of the social influence of the digital age, the research of visual cognition mechanism, and the author's creation performance of the East and West artists as the object of the creation; the fourth chapter of the author through three series: "Stroke ‧ Point ‧ Ink ‧ Array>, <Between Blur and Clarity>, <Whole and Partial> carry out different directions of expression. Vision is the most influential senses on human life and thoughts. Through visual perception, images are seen and transmitted around life. Its high development is likely to make human beings misunderstand the truth and more likely to be manipulated by others. The author appeals to the truth of the experience of the landscape, and puts it forward again in the modern image society, so that everyone can re-understand the natural feeling of the landscape. LIU, SU-CHEN 劉素真 2019 學位論文 ; thesis 94 zh-TW |
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碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 107 === What we see is true. Every day we must judge things with our eyes. We are used to things that happen frequently around us. Through the mechanism of viewing, makes people can tell space, color, dynamics, and styling, enabling people to connect with others. The landscape has become more and more alienated in our lives today, the significance and importance of landscape painting in today's concept seems that it is no longer important. The author tries to put forward the way of seeing the landscape of the image society, so that the public can have the opportunity to feel the beauty of the landscape and the mystery of nature.
This essay is divided into five chapters: The first chapter proposes the research direction and the motivation of this theory, emphasizing that the society constructed by the digital age has brought tremendous changes, and how the realistic images affect us, in the second chapter and the third establishes the academic basis, through the analysis of the social influence of the digital age, the research of visual cognition mechanism, and the author's creation performance of the East and West artists as the object of the creation; the fourth chapter of the author through three series: "Stroke ‧ Point ‧ Ink ‧ Array>, <Between Blur and Clarity>, <Whole and Partial> carry out different directions of expression.
Vision is the most influential senses on human life and thoughts. Through visual perception, images are seen and transmitted around life. Its high development is likely to make human beings misunderstand the truth and more likely to be manipulated by others. The author appeals to the truth of the experience of the landscape, and puts it forward again in the modern image society, so that everyone can re-understand the natural feeling of the landscape.
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LIU, SU-CHEN |
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LIU, SU-CHEN YANG, TZU-YI 楊子逸 |
author |
YANG, TZU-YI 楊子逸 |
spellingShingle |
YANG, TZU-YI 楊子逸 Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
author_sort |
YANG, TZU-YI |
title |
Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
title_short |
Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
title_full |
Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
title_fullStr |
Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
title_full_unstemmed |
Perception, Vision, Cognition ─ Yang Tzu Yi’s Painting Research on Ink Landscape in Digital Age |
title_sort |
perception, vision, cognition ─ yang tzu yi’s painting research on ink landscape in digital age |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/482f4n |
work_keys_str_mv |
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