| Summary: | 碩士 === 國立臺灣藝術大學 === 中國音樂學系 === 107 === Diao Peng is one of the emerging composers, and whose works include instrumental solo, ensemble, orchestra and soundtracks. Through discuss his works Rise Up (2017version for di duet and band) and Wine Cellar No.8 (2018 versions for Hsiao and piano, for Hsiao and band) , this paper aims to probe into how Diao Peng presented his thoughts through the vocabulary of oriental music with unique composing methods to construct his own style and make his work persuasive and acceptable.
Because Diao Peng, the composer also the performer, often joined crossover music performances, including diverse instrumental mashups and collaborative, and on musical essences from Taiwan also East Asia. Therefore, started from the objective analyses on composing methods and musical structures, the paper probed into the presentations of his works concerning acoustic effects and thoughts under different instrumental arrangement and discussed his aesthetic though and musical concept on the ground of interviews with debut performers to review and introspect, and further clarify the connections between his inspirations and emotions to examine his musical expression and practices. Through the mentioned processes, the paper is expected to be a stepping stone toward a deeper understanding of Diao Peng’s compositions.
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