Half-human “Love and Beauty” ﹣Discussion of Yang Hsiu-Li’s Personal Creation

• Main Authors: Yang, Hsiu-Li, 楊繡李
• Other Authors: Wu, Ta-Kuang
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/3qkhm3

碩士 === 中國文化大學 === 美術學系 === 107 === 　　Yu Qiuyu once stated that, “art is a creation which turns human ecology into instinctive aesthetics”. Nevertheless, “the humanization of myriad things is a humanized mission of art itself, which also makes it possible to enable different groups to jointly experience various artistic works”. Before extracting the theme regarding human emotions as mentioned above, artists have to experience joys and sorrows of life and involve artistic forms of myriad things of the world in microcosm of life, so as to facilitate receivers to appreciate artistic works being filled with ups and downs of life. In the creative research, the author mainly focuses on explor.atory motivations of life and utilizes Half-human “ Love and Beauty ”to imply modern people’s mental state. The author takes “Plato’s philosophy on love” as the core idea and theoretical basis of this work, for the reason that only impetus and passion of love could propel unceasing self-creation of life and facilitate breakthrough and transcendence of oneself. In virtue of symbols, superrealism and creation analysis, the author discusses sources and processes concerning the formation of painting and creation styles, and deeply analyzes the way to realize exploration of love and beauty through creation. 　　As a consequence,Half-human becomes a specific image for the author to express emotions in works. By the mutual integration between love and beauty and perception of reality, the author then extracts creation styles. It is expected that the creation could smash people’s spiritual shackles and enable them to ponder over and build new values and meanings for existence of life again.