| Summary: | 碩士 === 中國文化大學 === 中國音樂學系 === 107 === Compared to other instruments, there are less Liuqin. Therefore the author feels that innovative works are a necessity. In terms of new creative works, the songs are rich and diverse. We can utilize the characteristics and styles of music from all places to explore the differences and effects of the performance method used. In terms of the elevation of mandolin musical performances, it’s been common and diverse, diverging from the traditional method and exhibiting a greater space and thought for performance. The author feels that China’s minor ethnicities’ cultures are rich and diverse. Through the use of local culture as sources and integrating them into new works, whether it be poetry or lyrics, folk songs, instrumentals, dances, etc. not only a singular element but also adds color to the music.
This focus of this paper will be on Chang Chao’s Liuqin Concerto: Ching Tong Yue Wu. The paper will first have an in-depth understanding of the composer’s creative basis and Zhuang culture. It’ll then proceed to an analysis of the utilization of Guangxi Zhuang music as a source for the song. Lastly, an analysis of the musical structure , performance method, and the conveying of the connotation of Ching Tong Yue Wu .
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