A Phonetic Comparative Study of Three Zhangzhou Rhyme Dictionaries

• Main Authors: WU, HUI-JUN, 吳蕙君
• Other Authors: YANG, HSIOU-FANG
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/8bp92u

博士 === 世新大學 === 中國文學研究所 === 107 === “Hui Ji Ya Su Tong Shi Wu Yin”,“Cheng-pó͘ Lūi-im”,“Tu Jiang Shu Shi Wu Yin”It is an important rhyme book reflecting the sounds of Zhangzhou in the 19th century. It is also a tool for reading and literacy of the general public at that time. They have inherited and pioneered the rhyming books of the early dialects. Although the three rhymes are called the rhymes of Zhangzhou dialect, they are not very similar. Their rhyme has a difference of fifty, thirty, and forty-three rhymes, which shows the combination of rhymes? Still have other complicated factors? The related researches of the early and three dialect rhymes are mostly in the study of the phonology of a single rhyme book. Compared with the rhyme of the three dialects, there are few similarities and differences. This paper intends to compare the similarities and differences between the three books from the sound, rhyme and tone. And observe the sound changes of the three dialect rhymes from a diachronic perspective. “Hui Ji Ya Su Tong Shi Wu Yin”,“Cheng-pó͘ Lūi-im”,“Tu Jiang Shu Shi Wu Yin” in comparison initials, their initials are fifteen sound like, in addition to slightly different prefix name, the initials systems Generally speaking, the correspondence between the fifteen-sound class and the middle-aged consonant is mostly the rule of the system, and the phonological phenomena of the text and white reading layers are different, which fully demonstrates the multi-complex characteristics of the rhyme of the rhyme.The biggest difference in performance phonology three dialects on vowel, “Hui Ji Ya Su Tong Shi Wu Yin”Fifty rhyme, which results from its dialects on points, which rhyme watched too small, there are other dialects heteroaryl mixed into place rhyme.From“Hui Ji Ya Su Tong Shi Wu Yin”,“Cheng-pó͘ Lūi-im”, “Tu Jiang Shu Shi Wu Yin”, you can discover the advantages of impact sound in the “Cheng-pó͘ Lūi-im”has started its end, to“Tu Jiang Shu Shi Wu Yin”in forty-three rhyme should be in contact with the dialect dialect, competition, abandoning some of the characteristics of the sound made difficult, the result left.As Dialect Rhyming Dictionary of three sound change phenomenon, the phenomenon can be found in the bottom of the voice, not like the surface so simple, it is known to the ancient, village, evolution chapter is: the surface has been merged into ts-, but open three vowels in text only There are still differences between the pronunciation, the Zhuang and the chapters. In the proliferation of i-tones, the three rhymes of dialects are only found in fake, effect, salty, mountain, and river. There are very few rhymes, and unlike the official rhymes, the eight rhymes are generally proliferated. In addition, the i-tone does not allow the tongue to be seen, and the rhyme does not make the light lip sound become f-, and the iu media does not become a rhyme. You can see that the three rhymes reflected in the rhyme book are conservative. In other words, it also shows the structure of a voice sound Zhangzhou relatively stable, the internal voice system is not re-recombinant, to adjust it to the sound-level increases stacked presented, which is three unique dialect phonology place.