Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting

• Main Authors: Hsieh I-Ting, 謝依庭
• Other Authors: Li Szu-Hsien
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/7czf3y

碩士 === 東海大學 === 美術學系 === 107 === Abstract Creation is about the creator's consciousness and the unknown subconsciousness. The writers write thoughts and emotions in words. The creators show different shapes and symbols in the works, express their meanings with insinuations and symbols. Besides, other implicit attempts, brushstroke, texture, or rubbing...all tries to show the individual's will and emotions. The "square" and "circle" shapes are the most widely known and well-known images in human culture. Through the cultural exploration of "square" and "circle", the gestalt theory and the modern discussion of "square" and "circle", they comb the context of creation. To explore the virtual space and the concentric circles in the ink painting by looking into the meaning of the image, the creator tries to analyze the psychological emotions deep inside, and develop the temporal modeling track in the creation. In the end, the creator picks up objects by observing, laboring, collecting, accumulating, combing, and reproduces them in the picture. There is a trace of the current object, and it is outside the square. For the hand that is used to writing hard pens, ink is a wonderful trigger. The pen is placed in the center of the square drawing board, and the brush strokes are filled around the center. It is more like a sketch-like writing process. In the repeated writing, it constructs one circle after another, as well as calms the restless heart. The outline of the inner circle reveals the oriental thinking of "the place of heaven and earth". Through a virtual concentric circle, it reflects the besieged subject, which is a contradiction between the inside and the outside. After the final work is completed, the author and the siege consciousness coexist into the unity of nature and man.