Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting
碩士 === 東海大學 === 美術學系 === 107 === Abstract Creation is about the creator's consciousness and the unknown subconsciousness. The writers write thoughts and emotions in words. The creators show different shapes and symbols in the works, express their meanings with insinuations and symbols. Besides,...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2019
|
Online Access: | http://ndltd.ncl.edu.tw/handle/7czf3y |
id |
ndltd-TW-107THU00233019 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-107THU002330192019-10-26T06:23:53Z http://ndltd.ncl.edu.tw/handle/7czf3y Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting 方圓之外 -謝依庭水墨創作的當代意識 Hsieh I-Ting 謝依庭 碩士 東海大學 美術學系 107 Abstract Creation is about the creator's consciousness and the unknown subconsciousness. The writers write thoughts and emotions in words. The creators show different shapes and symbols in the works, express their meanings with insinuations and symbols. Besides, other implicit attempts, brushstroke, texture, or rubbing...all tries to show the individual's will and emotions. The "square" and "circle" shapes are the most widely known and well-known images in human culture. Through the cultural exploration of "square" and "circle", the gestalt theory and the modern discussion of "square" and "circle", they comb the context of creation. To explore the virtual space and the concentric circles in the ink painting by looking into the meaning of the image, the creator tries to analyze the psychological emotions deep inside, and develop the temporal modeling track in the creation. In the end, the creator picks up objects by observing, laboring, collecting, accumulating, combing, and reproduces them in the picture. There is a trace of the current object, and it is outside the square. For the hand that is used to writing hard pens, ink is a wonderful trigger. The pen is placed in the center of the square drawing board, and the brush strokes are filled around the center. It is more like a sketch-like writing process. In the repeated writing, it constructs one circle after another, as well as calms the restless heart. The outline of the inner circle reveals the oriental thinking of "the place of heaven and earth". Through a virtual concentric circle, it reflects the besieged subject, which is a contradiction between the inside and the outside. After the final work is completed, the author and the siege consciousness coexist into the unity of nature and man. Li Szu-Hsien 李思賢 2019 學位論文 ; thesis 63 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 東海大學 === 美術學系 === 107 === Abstract
Creation is about the creator's consciousness and the unknown subconsciousness. The writers write thoughts and emotions in words. The creators show different shapes and symbols in the works, express their meanings with insinuations and symbols. Besides, other implicit attempts, brushstroke, texture, or rubbing...all tries to show the individual's will and emotions.
The "square" and "circle" shapes are the most widely known and well-known images in human culture. Through the cultural exploration of "square" and "circle", the gestalt theory and the modern discussion of "square" and "circle", they comb the context of creation. To explore the virtual space and the concentric circles in the ink painting by looking into the meaning of the image, the creator tries to analyze the psychological emotions deep inside, and develop the temporal modeling track in the creation. In the end, the creator picks up objects by observing, laboring, collecting, accumulating, combing, and reproduces them in the picture. There is a trace of the current object, and it is outside the square.
For the hand that is used to writing hard pens, ink is a wonderful trigger. The pen is placed in the center of the square drawing board, and the brush strokes are filled around the center. It is more like a sketch-like writing process. In the repeated writing, it constructs one circle after another, as well as calms the restless heart. The outline of the inner circle reveals the oriental thinking of "the place of heaven and earth". Through a virtual concentric circle, it reflects the besieged subject, which is a contradiction between the inside and the outside. After the final work is completed, the author and the siege consciousness coexist into the unity of nature and man.
|
author2 |
Li Szu-Hsien |
author_facet |
Li Szu-Hsien Hsieh I-Ting 謝依庭 |
author |
Hsieh I-Ting 謝依庭 |
spellingShingle |
Hsieh I-Ting 謝依庭 Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
author_sort |
Hsieh I-Ting |
title |
Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
title_short |
Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
title_full |
Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
title_fullStr |
Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
title_full_unstemmed |
Outside the Limit - Hsieh I-Ting’s Contemporary Consciousness of Ink Painting |
title_sort |
outside the limit - hsieh i-ting’s contemporary consciousness of ink painting |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/7czf3y |
work_keys_str_mv |
AT hsiehiting outsidethelimithsiehitingscontemporaryconsciousnessofinkpainting AT xièyītíng outsidethelimithsiehitingscontemporaryconsciousnessofinkpainting AT hsiehiting fāngyuánzhīwàixièyītíngshuǐmòchuàngzuòdedāngdàiyìshí AT xièyītíng fāngyuánzhīwàixièyītíngshuǐmòchuàngzuòdedāngdàiyìshí |
_version_ |
1719278666535403520 |