The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms
碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 107 === Johannes Brahms (1833-1897) was one of the German composers of Romantic Period in the nineteenth century. He inherited the musical style and compositional structure from Baroque Period to Classical Period and integrated the personal expression of Romanticism...
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ndltd-TW-107TNCA07810022019-11-16T05:27:31Z http://ndltd.ncl.edu.tw/handle/7rrkej The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms 布拉姆斯《四首嚴肅之歌,作品121》 作品研究與詮釋探討 CHANG, PING-CHEN 張秉眞 碩士 國立臺南藝術大學 鋼琴合作藝術研究所 107 Johannes Brahms (1833-1897) was one of the German composers of Romantic Period in the nineteenth century. He inherited the musical style and compositional structure from Baroque Period to Classical Period and integrated the personal expression of Romanticism to create the unique and recondite characteristics. This thesis is about Vier ernste Gesänge, Op. 121, the last song cycle by Brahms. The text is according to Ecclesiastes of the Old Testament, 1 Corinthians of the New Testament from the Christian Bible and the Wisdom of Jesus Son of Sirach from the Old Testament of the Catholic Bible. This work reflects Brahms’s understanding of death and love, which is grave and heavy but with expectation and hope. This thesis is divided into five chapters: the first chapter is an introduction for research motivation and methodology; the second chapter includes the biography and the composing style of Johannes Brahms; the third chapter consists the compositional background of the work and the sources of the lyrics; the fourth chapter discusses the interpretation of the work based on the relationship between the texts and the music; final chapter is a conclusion. WU, MING-CHING 吳明靜 2019 學位論文 ; thesis 77 zh-TW |
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碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 107 === Johannes Brahms (1833-1897) was one of the German composers of Romantic Period in the nineteenth century. He inherited the musical style and compositional structure from Baroque Period to Classical Period and integrated the personal expression of Romanticism to create the unique and recondite characteristics. This thesis is about Vier ernste Gesänge, Op. 121, the last song cycle by Brahms. The text is according to Ecclesiastes of the Old Testament, 1 Corinthians of the New Testament from the Christian Bible and the Wisdom of Jesus Son of Sirach from the Old Testament of the Catholic Bible. This work reflects Brahms’s understanding of death and love, which is grave and heavy but with expectation and hope.
This thesis is divided into five chapters: the first chapter is an introduction for research motivation and methodology; the second chapter includes the biography and the composing style of Johannes Brahms; the third chapter consists the compositional background of the work and the sources of the lyrics; the fourth chapter discusses the interpretation of the work based on the relationship between the texts and the music; final chapter is a conclusion.
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WU, MING-CHING |
author_facet |
WU, MING-CHING CHANG, PING-CHEN 張秉眞 |
author |
CHANG, PING-CHEN 張秉眞 |
spellingShingle |
CHANG, PING-CHEN 張秉眞 The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
author_sort |
CHANG, PING-CHEN |
title |
The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
title_short |
The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
title_full |
The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
title_fullStr |
The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
title_full_unstemmed |
The Research and Interpretation of “Vier ernste Gesänge, Op. 121” by Johannes Brahms |
title_sort |
research and interpretation of “vier ernste gesänge, op. 121” by johannes brahms |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/7rrkej |
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