"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back"
碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 107 === The last decade, concept that include text, form and content is different from past in the field of performance art. More creator believe that theatrical creation is not base on literature, but need to cause audience’s resonance through the glossary that est...
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ndltd-TW-107TNUA07570092019-09-10T03:32:38Z http://ndltd.ncl.edu.tw/handle/9e29zs "The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" 「時間下的刺點」談感知時間形塑情緒——以《#》與《欲言又止》的燈光設計為例 CHEN, GUAN-LIN 陳冠霖 碩士 國立臺北藝術大學 劇場設計學系碩士班 107 The last decade, concept that include text, form and content is different from past in the field of performance art. More creator believe that theatrical creation is not base on literature, but need to cause audience’s resonance through the glossary that establish by different sences. Therefore, that affect the space and lighting glossary in the field of theater. Roland Barthes put forward the photography argument that include “studium”, ” punctum”and ”interfuit” in La chamber Claire. I try to analysis lighting status with Roland Barthes’s opinions in the moment of performace, and clear that by generalization and organization. The report will make a conversion about lightin concept, lighting logic, connection with performance and the practice in the case from “#” and “Bite Back”.As well as, the report will go a step further to disguss the lighting effectiveness in performance by opinions that in La chamber Claire. CHIEN, LEE-ZEN 簡立人 2019 學位論文 ; thesis 193 zh-TW |
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碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 107 === The last decade, concept that include text, form and content is different from past in the field of performance art. More creator believe that theatrical creation is not base on literature, but need to cause audience’s resonance through the glossary that establish by different sences. Therefore, that affect the space and lighting glossary in the field of theater.
Roland Barthes put forward the photography argument that include “studium”, ” punctum”and ”interfuit” in La chamber Claire. I try to analysis lighting status with Roland Barthes’s opinions in the moment of performace, and clear that by generalization and organization.
The report will make a conversion about lightin concept, lighting logic, connection with performance and the practice in the case from “#” and “Bite Back”.As well as, the report will go a step further to disguss the lighting effectiveness in performance by opinions that in La chamber Claire.
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author2 |
CHIEN, LEE-ZEN |
author_facet |
CHIEN, LEE-ZEN CHEN, GUAN-LIN 陳冠霖 |
author |
CHEN, GUAN-LIN 陳冠霖 |
spellingShingle |
CHEN, GUAN-LIN 陳冠霖 "The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
author_sort |
CHEN, GUAN-LIN |
title |
"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
title_short |
"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
title_full |
"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
title_fullStr |
"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
title_full_unstemmed |
"The Puctum of Time“ Conversation of Shaping Emotion by Perception Time from Lighting Design in "#" and "Bite Back" |
title_sort |
"the puctum of time“ conversation of shaping emotion by perception time from lighting design in "#" and "bite back" |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/9e29zs |
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