An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
碩士 === 國立臺北藝術大學 === 音樂學系碩士在職專班 === 107 === The Mannheim School and its leader, Johann Stamitz, included the clarinet in the standard instrumentation of the orchestra and was the first composer to write a clarinet concerto. His son, Carl Stamitz, continued to show the charm of the clarinet to the wor...
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| Format: | Others |
| Language: | zh-TW |
| Published: |
2019
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| Online Access: | http://ndltd.ncl.edu.tw/handle/zejkb7 |
| Summary: | 碩士 === 國立臺北藝術大學 === 音樂學系碩士在職專班 === 107 === The Mannheim School and its leader, Johann Stamitz, included the clarinet in the standard instrumentation of the orchestra and was the first composer to write a clarinet concerto. His son, Carl Stamitz, continued to show the charm of the clarinet to the world and establish the historical position of the clarinet.
This thesis is divided into four chapters. The first chapter is the introduction, the research motivation and research methods are briefly introduced, the second chapter discusses the origin and development of the clarinet, and the third chapter discusses the life of the father and son of Stamitz and Mannheim school. The fourth chapter analyzes Carl Stamitz's "No.3 in B-Flat Clarinet Concerto" and compare the versions of the three performers.
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