An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz

碩士 === 國立臺北藝術大學 === 音樂學系碩士在職專班 === 107 === The Mannheim School and its leader, Johann Stamitz, included the clarinet in the standard instrumentation of the orchestra and was the first composer to write a clarinet concerto. His son, Carl Stamitz, continued to show the charm of the clarinet to the wor...

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Main Authors: Wei, Szu-Wei, 魏思偉
Other Authors: Chen, Wei-Leng
Format: Others
Language:zh-TW
Published: 2019
Online Access:http://ndltd.ncl.edu.tw/handle/zejkb7
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spelling ndltd-TW-107TNUA12480032019-05-16T01:31:54Z http://ndltd.ncl.edu.tw/handle/zejkb7 An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz 卡爾.史塔密茲《第三號降B大調單簧管協奏曲》之作品分析與詮釋 Wei, Szu-Wei 魏思偉 碩士 國立臺北藝術大學 音樂學系碩士在職專班 107 The Mannheim School and its leader, Johann Stamitz, included the clarinet in the standard instrumentation of the orchestra and was the first composer to write a clarinet concerto. His son, Carl Stamitz, continued to show the charm of the clarinet to the world and establish the historical position of the clarinet. This thesis is divided into four chapters. The first chapter is the introduction, the research motivation and research methods are briefly introduced, the second chapter discusses the origin and development of the clarinet, and the third chapter discusses the life of the father and son of Stamitz and Mannheim school. The fourth chapter analyzes Carl Stamitz's "No.3 in B-Flat Clarinet Concerto" and compare the versions of the three performers. Chen, Wei-Leng 陳威稜 2019 學位論文 ; thesis 79 zh-TW
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language zh-TW
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description 碩士 === 國立臺北藝術大學 === 音樂學系碩士在職專班 === 107 === The Mannheim School and its leader, Johann Stamitz, included the clarinet in the standard instrumentation of the orchestra and was the first composer to write a clarinet concerto. His son, Carl Stamitz, continued to show the charm of the clarinet to the world and establish the historical position of the clarinet. This thesis is divided into four chapters. The first chapter is the introduction, the research motivation and research methods are briefly introduced, the second chapter discusses the origin and development of the clarinet, and the third chapter discusses the life of the father and son of Stamitz and Mannheim school. The fourth chapter analyzes Carl Stamitz's "No.3 in B-Flat Clarinet Concerto" and compare the versions of the three performers.
author2 Chen, Wei-Leng
author_facet Chen, Wei-Leng
Wei, Szu-Wei
魏思偉
author Wei, Szu-Wei
魏思偉
spellingShingle Wei, Szu-Wei
魏思偉
An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
author_sort Wei, Szu-Wei
title An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
title_short An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
title_full An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
title_fullStr An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
title_full_unstemmed An Analysis and Interpretation of the Clarinet Concerto No.3 in B-Flat Major by Carl Stamitz
title_sort analysis and interpretation of the clarinet concerto no.3 in b-flat major by carl stamitz
publishDate 2019
url http://ndltd.ncl.edu.tw/handle/zejkb7
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