| Summary: | 碩士 === 臺北市立大學 === 中國語文學系碩士在職專班 === 107 === Abstract
The thesis is based on the "Seven Principles of Textual Evolution" proposed by Mr. Xu Jinxiong to explore the relationship between the origin and evolution of the ancient characters and the evolution of the 425 characters in the tenth chapter of Shuo Wen Jie Zi, and to establish an evolutionary sequence of ancient characters. To infer the evolution of the glyph.
The "Seven Principles of Textual Evolution" are: the age of the literature, the nature of the literature, the creativity of the characters, the degree of realism, the law of evolution, the rules of character creation and the replacement of components. There are many reasons for the influence of the evolution of the text. It is inevitable that there will be some omissions in the evolution of the glyphs in the literature. In modern times, text glyphs may use early glyphs according to the nature of the literature. Contemporaneous texts will also have different glyphs for different reasons. Other principles must be used to correctly judge the evolution direction of glyphs. In terms of creating words, the early glyphs should be closer to the original meaning; in terms of the degree of realism, the early glyphs are more realistic than the later glyphs; in the process of evolution, there are often some regular ways of change; In the principle of the regulafions of the Character creation, pictographic and pictorial characters are earlier than the form of the Sound simulation words; in the evolution of the text, the meaning or the accent is often replaced to complement the meaning of the word.
Finally, with the discussion of the use of unearthed cultural relics and the use of the pre-Qin literature, it helps to judge the sequence and evolution of the glyphs and to obtain the "positive evidence" of the evolution of the text.
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