Research on Amis' Local Craft Innovation and Design Interpretation

• Main Authors: Zhang Kui, 張奎
• Other Authors: PENG,LI-HSUN
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/8dgd45

碩士 === 國立雲林科技大學 === 創意生活設計系 === 107 === After many years of development and improvement of Amis' traditional craft have stagnated. Some of traditional craft arts have even experienced the cultural faults and fraction.Through the reinvigoration, the inheritors have pieced together the technology and culture of the craft in the broken information and memory. In the post-colonial society and the globalized environment, the development after the revitalization is inevitably mixed with the knowledge and technology of other cultures. How do these factors affect the cultural context and identity transformation of the Amis’ traditional craft; in order to make traditional crafts and modern society In order to find the use value of modern life, innovation is an inevitable development path, and which way can balance tradition and innovation, which is the part of this research. In this study, four Amis' traditional techniques were discussed as bark cloth, Amis pottery, rattan, and weaving. Using case study method to collect data and conduct interviews, analyze the content of interviews with Grounded Theory, sort out the development process of inheritors from inheritance to innovation, and then use Amis pottery as a classic case to compare and analyze the records of past literature and explore the process. The transformation of culture. Finally, based on the Hybridity and innovative theory, the paper summarizes the methods of hybridization and the types of innovation, and finds the attitudes to be maintained in innovation and the mode of constructing innovative practices. The study found that the inheritors have different levels of innovative behavior at different levels, innovation affects the transformation of identity, and identity also affects the degree of innovation development, because the inheritors will shape themselves in the process of inheritance. The subjective consciousness and spiritual principle of craft culture, that is, the individual's craft culture identity, some innovative means will not be accepted within the identity, and some will be encouraged. The innovative development of traditional crafts is not like the modern economic products. It can be developed without restrictions. The traditional crafts have their own appearance and style, and they can maintain the subjective consciousness and not be eroded by other cultures.