Poetry as possibility

This thesis explores the concept of possibility in terms of an aesthetic theory applicable to poetry. The concept is widely used in different ways by different writers, but seldom dealt with analytically as is the intention here. Chapter I deals first with the empirical concomitants of the concept...

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Main Author: Macfarlane, Walter Julian
Language:English
Published: University of British Columbia 2011
Subjects:
Online Access:http://hdl.handle.net/2429/34413
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spelling ndltd-UBC-oai-circle.library.ubc.ca-2429-344132018-01-05T17:47:28Z Poetry as possibility Macfarlane, Walter Julian Poetics This thesis explores the concept of possibility in terms of an aesthetic theory applicable to poetry. The concept is widely used in different ways by different writers, but seldom dealt with analytically as is the intention here. Chapter I deals first with the empirical concomitants of the concept and their relation to notions of convention and stylistic transgression in poetry. The argument then proceeds to examine the philosophical ramifications of these relations in terms of Whitehead's views on aesthetic integrations. In substantiating these views ontologically, a theory of poetry as a form of contemplative thought emerges. Chapter II defines the ontological grounds of poetic possibility in a more rigorous manner utilizing distinctions basic to both the philosophy of Martin Heidegger and the theories of the so-called "structuralist" school. The relationship of poetry to "nature" and "culture" is of parmount importance in these speculations, and is defined in such a way as to reconcile processal and structural definitions of the poetic experience. The chapter resolves by relating the ontological ground of poetic possibility to notions of metaphor and ambiguity developed in the writings of Wallace Stevens and others. Chapter III explores the notion of poetic ambiguity further in terms of a theory of imagination which draws upon the theories of Stevens, Coleridge, and Heidegger. The linguistic consequences of this theory of imagination are discussed in terms of a practical demonstration, an explication of William Carlos Williams' “Nantucket". In this way, the argument establishes the metalinguistic grounds for defining and analyzing poetry. The chapter concludes, relating the metalinguistic grounds of poetry, as defined, to the notion of poetic possibility previously developed. Arts, Faculty of English, Department of Graduate 2011-05-10T18:47:18Z 2011-05-10T18:47:18Z 1971 Text Thesis/Dissertation http://hdl.handle.net/2429/34413 eng For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. University of British Columbia
collection NDLTD
language English
sources NDLTD
topic Poetics
spellingShingle Poetics
Macfarlane, Walter Julian
Poetry as possibility
description This thesis explores the concept of possibility in terms of an aesthetic theory applicable to poetry. The concept is widely used in different ways by different writers, but seldom dealt with analytically as is the intention here. Chapter I deals first with the empirical concomitants of the concept and their relation to notions of convention and stylistic transgression in poetry. The argument then proceeds to examine the philosophical ramifications of these relations in terms of Whitehead's views on aesthetic integrations. In substantiating these views ontologically, a theory of poetry as a form of contemplative thought emerges. Chapter II defines the ontological grounds of poetic possibility in a more rigorous manner utilizing distinctions basic to both the philosophy of Martin Heidegger and the theories of the so-called "structuralist" school. The relationship of poetry to "nature" and "culture" is of parmount importance in these speculations, and is defined in such a way as to reconcile processal and structural definitions of the poetic experience. The chapter resolves by relating the ontological ground of poetic possibility to notions of metaphor and ambiguity developed in the writings of Wallace Stevens and others. Chapter III explores the notion of poetic ambiguity further in terms of a theory of imagination which draws upon the theories of Stevens, Coleridge, and Heidegger. The linguistic consequences of this theory of imagination are discussed in terms of a practical demonstration, an explication of William Carlos Williams' “Nantucket". In this way, the argument establishes the metalinguistic grounds for defining and analyzing poetry. The chapter concludes, relating the metalinguistic grounds of poetry, as defined, to the notion of poetic possibility previously developed. === Arts, Faculty of === English, Department of === Graduate
author Macfarlane, Walter Julian
author_facet Macfarlane, Walter Julian
author_sort Macfarlane, Walter Julian
title Poetry as possibility
title_short Poetry as possibility
title_full Poetry as possibility
title_fullStr Poetry as possibility
title_full_unstemmed Poetry as possibility
title_sort poetry as possibility
publisher University of British Columbia
publishDate 2011
url http://hdl.handle.net/2429/34413
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