Neurotiska städer : Stadens roll i Woody Allens filmer
The main purpose of this essay is to examine the narrative function of the city in the films of Woody Allen. This was achieved through a narrative and comparative analysis of four of his city films: Manhattan (1979), Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2...
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Högskolan Dalarna, Bildproduktion
2018
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ndltd-UPSALLA1-oai-DiVA.org-du-270932018-02-06T02:35:29ZNeurotiska städer : Stadens roll i Woody Allens filmersweNeurotic CitiesMannila, MichaelPresto, RobertHögskolan Dalarna, BildproduktionHögskolan Dalarna, Bildproduktion2018Woody Allennarratologimeta citystadssymfonispegelstadflanöranti-flanörstadfilmManhattanVicky Cristina BarcelonaMidnight in ParisTo Rome with LoveVisual ArtsBildkonstThe main purpose of this essay is to examine the narrative function of the city in the films of Woody Allen. This was achieved through a narrative and comparative analysis of four of his city films: Manhattan (1979), Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2012). The results of this examination show that the city has a variety of narrative functions throughout the films. The city provides a natural environment that enables character meetings. Living in the city can be so sought after, that the city itself becomes an important goal for the protagonist. Portraying the city is often an essential part of a reflexive narrative. The city is utilized for this and more in the films of Woody Allen. Student thesisinfo:eu-repo/semantics/bachelorThesistexthttp://urn.kb.se/resolve?urn=urn:nbn:se:du-27093application/pdfinfo:eu-repo/semantics/openAccess |
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Swedish |
format |
Others
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topic |
Woody Allen narratologi meta city stadssymfoni spegelstad flanör anti-flanör stad film Manhattan Vicky Cristina Barcelona Midnight in Paris To Rome with Love Visual Arts Bildkonst |
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Woody Allen narratologi meta city stadssymfoni spegelstad flanör anti-flanör stad film Manhattan Vicky Cristina Barcelona Midnight in Paris To Rome with Love Visual Arts Bildkonst Mannila, Michael Presto, Robert Neurotiska städer : Stadens roll i Woody Allens filmer |
description |
The main purpose of this essay is to examine the narrative function of the city in the films of Woody Allen. This was achieved through a narrative and comparative analysis of four of his city films: Manhattan (1979), Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2012). The results of this examination show that the city has a variety of narrative functions throughout the films. The city provides a natural environment that enables character meetings. Living in the city can be so sought after, that the city itself becomes an important goal for the protagonist. Portraying the city is often an essential part of a reflexive narrative. The city is utilized for this and more in the films of Woody Allen. |
author |
Mannila, Michael Presto, Robert |
author_facet |
Mannila, Michael Presto, Robert |
author_sort |
Mannila, Michael |
title |
Neurotiska städer : Stadens roll i Woody Allens filmer |
title_short |
Neurotiska städer : Stadens roll i Woody Allens filmer |
title_full |
Neurotiska städer : Stadens roll i Woody Allens filmer |
title_fullStr |
Neurotiska städer : Stadens roll i Woody Allens filmer |
title_full_unstemmed |
Neurotiska städer : Stadens roll i Woody Allens filmer |
title_sort |
neurotiska städer : stadens roll i woody allens filmer |
publisher |
Högskolan Dalarna, Bildproduktion |
publishDate |
2018 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:du-27093 |
work_keys_str_mv |
AT mannilamichael neurotiskastaderstadensrolliwoodyallensfilmer AT prestorobert neurotiskastaderstadensrolliwoodyallensfilmer AT mannilamichael neuroticcities AT prestorobert neuroticcities |
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1718613378863202304 |