Xenakis Rebonds b : Preperation, Practise and Performance
Every percussionist is faced with many challenges in their studies and their careers. In this paper I hope to shed light on what kind of work goes into preparing, practising and performing a large solo percussion piece and share some of my personal experience with solo percussion music. This is don...
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| Format: | Others |
| Language: | English |
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Kungl. Musikhögskolan, Institutionen för klassisk musik
2018
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2694 |
| Summary: | Every percussionist is faced with many challenges in their studies and their careers. In this paper I hope to shed light on what kind of work goes into preparing, practising and performing a large solo percussion piece and share some of my personal experience with solo percussion music. This is done by choosing a piece from the repertoire and documenting what processes and methods are used from the time a piece has been chosen until it is ready for performance. The subject of this thesis is Rebonds b by Iannis Xenakis for solo percussion. The result is a blueprint that can be useful for young percussionists when they are faced with a large piece from the repertoire and guidelines for what to do when faced with challenges. === <p>Iannis Xenakis - Rebonds b</p><p>Keiko Abe - Wind Sketch</p><p>George Hamilton Green - Valse Brilliante (arr. Bob Becker)</p><p>Jaques Delecluse - Etude no. 29 for timpani</p><p>Jaques Delecluse - Etude no. 6 for snare drum</p><p>Jaques Delecluse - Test Claire</p><p>Mitchell Peters - Etude no. 3 from Hard Times</p><p>Hanz Kruger - Etude no. 45 for timpani</p> |
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