The naked king : on the desire to replace philosophy with Conceptual art during the years 1966-1972 and the aesthetic response by Theodor W. Adorno, Umberto Eco and Jacques Rancière
The aim of this essay is to investigate the reconfiguration and, to some extent, the total deconstruction of the aesthetic field, such as we have know it since Baumgarten, that is promoted by Conceptual art. It is our intention to show the philosophical importance and the theoretical implications of...
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| Format: | Others |
| Language: | English |
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Södertörns högskola, Institutionen för kultur och kommunikation
2011
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-14321 |