the post- 9/11 aesthetic: repositioning the zombie film in the horror genre
This dissertation explores a body of films produced after the events of 9/11, and while examining this specific point of departure, the author presents the argument on the vast cultural relevancy of the omnipresent zombie. These films are interrogative and complex, offering the viewing audience a ri...
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| Format: | Others |
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Scholar Commons
2013
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| Online Access: | http://scholarcommons.usf.edu/etd/4798 http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=5995&context=etd |