The emancipation of discordance
This study proposes a primarily esthesic, listener-oriented approach to discussing music that is "out of tune" or discordant. The paper is divided into two main sections: in part one I work to define discordance as a type of qualia experienced when a hypothetical listener perceives somethi...
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| Format: | Others |
| Language: | en |
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2014
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| Online Access: | http://hdl.handle.net/2152/26420 |