Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys

South Africa has not yet become a nation united in its diversity despite the claim made otherwise in the South African constitution. To grapple with the constitution’s unfulfilled promises, many writers and artists from the country have taken up the incongruity between lived experience and nationali...

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Main Author: Gulesserian, Lisa Ann
Format: Others
Language:English
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/2152/ETD-UT-2010-05-1409
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spelling ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2010-05-14092015-09-20T16:55:56ZIncongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keysGulesserian, Lisa AnnIvan VladislavićJohannesburgPortrait with keysLiterary representationsSouth AfricaNational rhetoricSouth Africa has not yet become a nation united in its diversity despite the claim made otherwise in the South African constitution. To grapple with the constitution’s unfulfilled promises, many writers and artists from the country have taken up the incongruity between lived experience and nationalist rhetoric in their works. As part of that efforts by artists and writers in South Africa, Ivan Vladislavić’s 2006 book Portrait with Keys: The City of Johannesburg Unlocked describes the difficulties of living in a country that does not perfectly match the rhetoric of a nation “united in [its] diversity.” In order to expand on the theme in Portrait with Keys of incongruity between lived life and the national discourse, as well as between lived life and literary representations, it is imperative to identify the discourse surrounding the current situation in South Africa. In this analysis of Vladislavić’s book, the author will describe and decipher moments where the lived experience of residents in Johannesburg belies the inclusionary discourse of South Africa and the literary representation of other cities. After describing moments that highlight the lack of correspondence between life and word, the author will analyze the various strategies for coping with the incongruity in the book. By taking this route of analysis, the author intends to illuminate the South African phenomenon of incongruent experience (in which lived life, discourse, and representation do not correspond) and arrive at a reading of the incongruity in Vladislavić’s book that leaves room for hope.text2010-11-29T22:50:25Z2010-11-29T22:50:31Z2010-11-29T22:50:25Z2010-11-29T22:50:31Z2010-052010-11-29May 20102010-11-29T22:50:31Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2010-05-1409eng
collection NDLTD
language English
format Others
sources NDLTD
topic Ivan Vladislavić
Johannesburg
Portrait with keys
Literary representations
South Africa
National rhetoric
spellingShingle Ivan Vladislavić
Johannesburg
Portrait with keys
Literary representations
South Africa
National rhetoric
Gulesserian, Lisa Ann
Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
description South Africa has not yet become a nation united in its diversity despite the claim made otherwise in the South African constitution. To grapple with the constitution’s unfulfilled promises, many writers and artists from the country have taken up the incongruity between lived experience and nationalist rhetoric in their works. As part of that efforts by artists and writers in South Africa, Ivan Vladislavić’s 2006 book Portrait with Keys: The City of Johannesburg Unlocked describes the difficulties of living in a country that does not perfectly match the rhetoric of a nation “united in [its] diversity.” In order to expand on the theme in Portrait with Keys of incongruity between lived life and the national discourse, as well as between lived life and literary representations, it is imperative to identify the discourse surrounding the current situation in South Africa. In this analysis of Vladislavić’s book, the author will describe and decipher moments where the lived experience of residents in Johannesburg belies the inclusionary discourse of South Africa and the literary representation of other cities. After describing moments that highlight the lack of correspondence between life and word, the author will analyze the various strategies for coping with the incongruity in the book. By taking this route of analysis, the author intends to illuminate the South African phenomenon of incongruent experience (in which lived life, discourse, and representation do not correspond) and arrive at a reading of the incongruity in Vladislavić’s book that leaves room for hope. === text
author Gulesserian, Lisa Ann
author_facet Gulesserian, Lisa Ann
author_sort Gulesserian, Lisa Ann
title Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
title_short Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
title_full Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
title_fullStr Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
title_full_unstemmed Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys
title_sort incongruent experiences : literary representations of post-apartheid johannesburg in ivan vladislavić’s portrait with keys
publishDate 2010
url http://hdl.handle.net/2152/ETD-UT-2010-05-1409
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